Trapper Schoepp

“What’s most important to me is to be a link in the chain of folks singers before and after my time,” Trapper Schoepp says in light of his forthcoming album, Siren Songs. Recorded at Johnny Cash’s Cash Cabin in Hendersonville, TN, Trapper continues down the trail trod by his musical heroes. In 2019, the Milwaukee singer-songwriter published a long lost song with Bob Dylan called “On, Wisconsin” – making him the youngest musician to share a co-writing credit with the Nobel Prize laureate. The song led to a #1 trending article in Rolling Stone and over a hundred tour dates worldwide.

Most recently, Trapper is featured on the Siren Songs album cover posing in the same pond where Johnny Cash would read and dispose of letters sent to him by Bob Dylan, protecting a private correspondence and kinship that started in the sixties. At these storied grounds, Trapper recorded his strongest collection of songs steeped in traditional American and Irish folk music – aided by producers John Jackson (Jayhawks, Ray Davies) and Patrick Sansone (Wilco).

Siren Songs is an apt title for an album filled with folklore and nautical imagery. In Greek mythology, sirens are enchanting half-bird maidens who sing to entice sailors off their ships, and ultimately to their doom.

Trapper conjures nautical tales in songs like “Secrets of the Breeze” inspired by his own brushes of danger in Lake Michigan: “I felt the waves come crashing down / And I was so deep, so deep I might have drown / But I held my breath and the tide pushed me / No more do I explore the secrets of the breeze.”

“Queen of the Mist” is a jaunty tune with cruising congas and harmonica hooks that recounts Annie Edson Taylor’s harrowing trip over Niagara Falls inside a wooden barrel in 1901. In the swamp rocking “Devil’s Kettle,” Trapper sings of a mysterious rock formation and waterfall he encountered along Highway 61. A river splits below the falls, with one tributary to Lake Superior and the other flowing underground to an unknown location. It is said gangsters like Al Capone and his men would head across the northern state border to dispose of the evidence in the natural phenomenon called the Devil’s Kettle.

Sirens are seen across the album and in works that inspire Schoepp, most notably in the Coen Brothers’ O’Brother Where Art Thou. In a fortunate stroke of serendipity, Trapper is joined on two tracks by Sarah Peasall McGuffey, who famously lent her vocal talents to the aforementioned film. Trapper sings alongside his brother and bassist, Tanner Schoepp, with characteristic blood harmony, the unique blend of sibling singers. The studio band included drummer Jon Radford (Justin Townes Earle), John Jackson on mandolin and violin, Patrick Sansone on keys, Quinn Scharber on Nashville tuned guitar, and Jim Hoke (Dolly Parton, Paul McCartney) on tin whistle and accordion.

The influence of Irish music on Siren Songs can be heard in Trapper’s open-tuned acoustic guitar, the traditional feeling ballads, lyrical themes of the sea, war, and unrequited love, as well as the instrumentation. “Irish folk music really helped me during the pandemic,” Schoepp says. “There’s an uplifting  quality in this tradition that can break your heart and make you laugh at the same time.”

Trapper notes the Clancy Brothers, The Chieftains, and Paul Brady as key inspirations on Siren Songs. “If it weren’t for the song ‘Arthur McBride’ by Paul Brady, this album probably wouldn’t exist,” Trapper posits. So struck by the song, he tuned his guitar to open D like Brady and learned new chord shapes by watching YouTube videos of him performing. “It was a complete revelation,” Trapper says of the open D tuning, which is utilized by artists like Joni Mitchell and Neil Young.

The historic Cash Cabin was an inspiring and homey environment to record 14 songs in one week’s time. What was initially Johnny’s private rustic sanctuary to recharge—cooking, movies, leathercraft—later evolved into his working studio. “Everyone from Dolly Parton to Snoop Dog has visited the Cabin, and it was an unforgettable experience I am eternally grateful for, ” Trapper says.

Trapper and band recorded the tracks live together, forgoing click track technology to allow the ebb and flow of a live performance. “By the fourth or fifth take, we’d have most of what you hear,” Trapper says of this approach. “There’s an intensity and joy to being in that shared moment, especially after going through the isolation of the pandemic.”

The opportunity to play instruments like Cash’s 1930s “shitkicker” Martin guitar and June Carter Cash’s Steinway piano certainly helped inspire the players. A fold-up harmonium organ caught the ears of Pat and Trapper. “This kind of organ was once used by military chaplains to hold services on battlefields, and it’s remarkable that it is still sharing stories in 2022,” Trapper says. “There’s a power in well-used instruments like this that can be really effective in the right hands in the right song.”

Producer Patrick Sansone plays said organ on “Good Graces,” a romantic lament of lovers hitting a crossroads. The song has throughlines and characters in common with “In Returning” and “Eliza,” the latter is a story of a woman who moves to be with her mother after her father is lost at sea, leaving the narrator behind to sing a siren of his own.

Schoepp depicts characters reaching crossroads in “Cliffs of Dovers,” a narrative of a soldier struggling with PTSD after returning from Iraq. On “Silk and Satin,” Trapper uses maritime jive to discuss a person living out a double life as a businessman by day and drag queen by night. He adds, “In a different kind of undercover drag, I heard of sailor wives who would crossdress as men to be with their husbands at sea,” Trapper says. “I think such an extraordinary risk is romantic.”

The album art photography was taken on the studio grounds by Joseph Cash, who also directed a music video for “Cliffs of Dover.” Musically, Cash contributed Dobro on “Devil’s Kettle” and vocals on “Diocese.” The music video finds Trapper and band recording the song and exploring the Cabin grounds.

After having spent the last decade performing countless live dates and sharing stages with such like-minded Americana mainstays as The Wallflowers, The Jayhawks, Frank Turner, and Old 97’s, Schoepp will take to the road again with Siren Songs in 2023. “This kind of folk music is a living, breathing artform that really comes to life when shared,” Trapper says. “I can’t wait to take these songs to the people.”

Past Shows


Apr
14
th
2023
7th St Entry
Apr
14
th
2023
7th St Entry

Trapper Schoepp

with Becky Kapell and Laura Hugo
Nov
19
th
2021
7th St Entry
Nov
19
th
2021
7th St Entry

Trapper Schoepp

with Katy Vernon
Jun
7
th
2019
Turf Club
Jun
7
th
2019
Turf Club

Rhett Miller

with Trapper Schoepp
Jan
26
th
2019
7th St Entry
Jan
26
th
2019
7th St Entry

Trapper Schoepp

with Faith Boblett
Aug
11
th
2017
Turf Club
Aug
11
th
2017
Turf Club

Trapper Schoepp

with The Shackletons
May
31
st
2017
Turf Club
May
31
st
2017
Turf Club

Ha Ha Tonka

with Trapper Schoepp
Feb
11
th
2017
Turf Club
Feb
11
th
2017
Turf Club

Rhett Miller

with Trapper Schoepp
Oct
4
th
2016
7th St Entry
Oct
4
th
2016
7th St Entry

The Record Company

with Trapper Schoepp
May
21
st
2016
Turf Club
May
21
st
2016
Turf Club

Trapper Schoepp and Riverside Horns

with Dusty Heart and CABIN ESSENCE
Oct
2
nd
2015
Turf Club
Oct
2
nd
2015
Turf Club

American Scarecrows

with Trapper Schoepp and Edward David Anderson
Sep
30
th
2015
Mainroom
Sep
30
th
2015
Mainroom

BIG STAR’S THIRD

with Jody Stephens, MIKE MILLS (R.E.M.), CHRIS STAMEY (The dB’s) and more!
Jul
19
th
2015
Turf Club
Jul
19
th
2015
Turf Club

Lydia Loveless

with Trapper Schoepp
May
16
th
2015
Turf Club
May
16
th
2015
Turf Club

The Damnwells

with Trapper Schoepp and The Cringe
Mar
20
th
2015
Holy Mountain
Mar
20
th
2015
Holy Mountain

Midwest Day Party 2015 ( Austin, TX )

with Allan Kingdom, Prof, Mike Mictlan and more!
Sep
6
th
2014
Mainroom
Sep
6
th
2014
Mainroom

The Jayhawks

with Trapper Schoepp
Sep
27
th
2013
7th St Entry
Sep
27
th
2013
7th St Entry

Ewert and The Two Dragons

with Trapper Schoepp and batteryboy

More Shows

Jul
12
th
Turf Club

Becky Kapell and The Fat Six, Terry Walsh and 2 A.M. and Curtiss A and the Dark Click

Oct
13
th
Turf Club

Panopticon

with Exulansis and Primeval Well
Jul
30
th
7th St Entry

Vinny Franco and the Love Channel

with Colin Bracewell, RAWTWHYLAH and Charmaine
Jul
22
nd
Turf Club

Sunny Sweeney

with Cam Pierce