of Montreal

When creators f<ck with how we experience time and space, great fictions emerge: H.G. Wells’ The Time Machine, the Terminator franchise, Avengers: Endgame. But what happens to artists when the flow of time gets f^cked up IRL? When an hour stretches into eternity, and the voices in your head begin to echo through empty rooms?

If you’re Kevin Barnes, the creative visionary behind of Montreal, Freewave Lucifer f<ck f^ck f>ck happens. Isolation and uncertainty loomed throughout the genesis of the band’s latest studio album. “The experience of just trying to keep my head above water and navigate through the last couple years played a huge role in this record,” says Barnes.

These expansive selections contrast markedly with the focused pop of 2020’s UR FUN, which was crafted for visceral thrills and the concert stage. As it was for countless musicians around the world, the inability to tour eliminated one of the linchpins of Barnes’ creative process. “I didn’t know if we’d ever tour again, so I didn’t consider that side of things.” Denied social interaction and diverse experiences, Barnes delved inward.

Barnes contemplated how time functions in music and experimented accordingly. These new songs, dense with ideas but short on repetition, feel epic in scope despite reasonable running times. Like the staircases of M.C. Escher’s Relativity, the discrete sections of “Marijuana’s A Working Woman” and “Blab Sabbath Lathe of Maiden” crisscross and pivot, confounding the senses yet commanding attention.

The imagery and sentiments that bubble forth from Barnes’ lyrical wordplay prove equally disorienting. “Is it important to say black chrome rodents?,” asks Barnes on “Après The Déclassé.” Phrases borne of free association took on new meaning when introduced into a song. “It’s like collaborating with my subconscious in a way. It feels deeply personal, even though I don’t necessarily understand it at that moment.”

“Marijuana’s A Working Woman'' juxtaposes oddball funk a la Zapp or Rick James with nods to Alice Anne Baily’s 19th century spiritualism. “Modern Art Bewilders” zigzags between baroque psychedelic idyll and synthpop tantrum, equal parts Sgt. Pepper’s and Gary Numan. Other influences woven throughout include realist painter Edward Hopper, fantasy author Ursula K. Le Guin, cinéaste Pedro Almodovar, and erotic illustrator Toshio Saeki.

Barnes likens their compositional process to making collages from seemingly unrelated source materials, combining them in provocative ways to reveal new meanings. “I wasn’t working with specific themes that I wanted to try and stretch over a three-minute pop song. It was sewing together a lot of fragmented thoughts,” which ties in nicely to the ‘freewave’ aspect of the album title’s meaning. As Barnes explains, “Freewave is my term for wild and intractable artistic expression. Lucifer is the angel of enlightenment and elucidation. Fuck is something we say when things are going really well, or really badly.”

As for anything else going on behind the scenes during the genesis of Freewave Lucifer f<ck f^ck f>ck, Barnes opts to preserve the mystery. “Sometimes in the past, I felt it was important for people to know certain things, so they could get into a specific headspace.” Not this time. “The last couple of years laid a heavy trip on everybody’s psyche. There are plenty of universal things here to identify with.”

Past Shows


Oct
13
th
2022
Fine Line
Oct
13
th
2022
Fine Line

of Montreal

with Locate S,1
Mar
11
th
2020
Fine Line
Mar
11
th
2020
Fine Line

of Montreal

with Lily and Horn Horse
Apr
17
th
2019
Fine Line
Apr
17
th
2019
Fine Line

of Montreal

with Yip Deceiver
Apr
3
rd
2018
The Cedar Cultural Center
Apr
3
rd
2018
The Cedar Cultural Center

of Montreal

with Mega Bog
Oct
15
th
2016
The Cedar Cultural Center
Oct
15
th
2016
The Cedar Cultural Center

of Montreal

with TEEN
Mar
15
th
2015
Mainroom
Mar
15
th
2015
Mainroom

of Montreal

with Deerhoof
Oct
6
th
2014
The Cedar Cultural Center
Oct
6
th
2014
The Cedar Cultural Center

of Montreal

with Pillar Point
Nov
1
st
2013
The Cedar Cultural Center
Nov
1
st
2013
The Cedar Cultural Center

of Montreal

with La Luz
May
15
th
2013
The Cedar Cultural Center
May
15
th
2013
The Cedar Cultural Center

of Montreal

89.3 The Current presents of Montreal
with Wild Moccasins
Mar
27
th
2012
Mainroom
Mar
27
th
2012
Mainroom

of Montreal

with Kishi Bashi and Loney Dear
Sep
23
rd
2010
Mainroom
Sep
23
rd
2010
Mainroom

of Montreal

with JANELLE MONAE

More Shows

Jan
14
th
7th St Entry

Sean Anonymous

with BLOOD $MOKE BODY, Gym Kang, Chance York and more!
Dec
29
th
7th St Entry

Dru Devon

with HunchoJuan, MICHAEL MARCELES, Breezy2Fresh and more!
Dec
24
th
7th St Entry

Aiden Intro

with Parachutes and Mike Kota
Mar
12
th
Fine Line

Jessie Murph