In the decade since their stripped-down 2012 debut, The Tanglewood Sessions, brought them to Bonnaroo, Boy Named Banjo have taken Nashville and beyond by storm with a series of critically acclaimed, genre-bending releases that have earned performances everywhere from the Ryman to the Grand Ole Opry alongside dates supporting the likes of Kip Moore, Hank Williams, Jr., Old Crow Medicine Show, and the Cadillac Three.
On their latest album, Dusk, Boy Named Banjo explored the full sonic and emotional spectrum of their rich, eclectic sound, from late-night, feel-good anthems to stripped-down, introspective meditations on loneliness, loss, and letting go.
While the band explored genres and flexed their range on Dusk, they have been working on a new body of music that marks a full-circle return to their Americana and bluegrass roots. “In the ten-plus years we’ve been together, we’ve explored many different sounds,” says banjoist and vocalist Barton Davies, “but the one we keep coming back to is that folky, acoustic sound that inspired us to pick up our instruments in the first place.” The group’s new music is slated for release in 2024.
