BIG|BRAVE

The work of BIG|BRAVE is ever-expanding. The breadth of their sound has encompassed a breathtaking array of dynamics and sonics. Their sound, guided by their indomitable exploratory spirit, exploits contrasts between extremity and subtlety. The trio’s singular, masterful sculpting of sonics into songcraft tucks layers of vulnerability into formidable storms. in grief or in hope (2026) is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.

in grief or in hope marks a shift for BIG|BRAVE towards denser, guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly contrasted with delicate, even tender, moments. The trio’s instinctual progressions are made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Within texturally maximalist loops and affected vocals, the pieces utilize the aesthetics of drone, electronic, and heavy music within a foundation of pop song form. Wattie writes: “I wanted to explore catchy, melodic phrasing weaved throughout the intensity of the instrumentation and drony chord changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person.”

The tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Standout “the ineptitude for mutual discernment” expands on lyrical themes first explored on 2015’s Au De La where “verdure” echoes melodies from the title track of 2014’s Feral Verdure. These references to their past serve as potent reflection points on BIG|BRAVE’s evolution as artists. A sonic whirlpool of string instruments surrounds Wattie’s commanding vocals as she shifts from spectral undulations on pieces like “what may be the kindest way to leave” to the direct, spare declarations of the title track. The ambiguity of mountainous chords on “an uttering of antipathy” are coupled with autotuned phrases emphasizing isolation inside the fray.

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.