Aimee Mann

Queens of The Summer Hotel, the new album from Aimee Mann, is out now via her own SuperEgo Records. Mann started developing the new music in 2018 when she agreed to write songs for a stage adaptation of Girl, Interrupted, Susannah Kaysen’s memoir about her psychiatric hospitalization in the late 1960s. It was material that Mann understood well, having had her own struggles with mental illness.

In many ways, Queens of The Summer Hotel is the unintentional part two to Mann’s 2017’s Grammy-winning album Mental Illness, both exploring themes of self-harm, depression, and suicide. However, Queens of The Summer Hotel was written more quickly than any of Mann’s previous records. The assignment to write songs for someone else’s project offered Mann a sense of liberation, freeing her to enter another person’s consciousness and story—and a brand-new set of musical structures—through the lens of Kaysen’s own alienation. Although several different characters narrate the songs, they’re not strictly tied to any narrative. But together, they form a portrait of one woman’s crisis of disassociation as seen through another woman’s eyes.

After several albums with ’Til Tuesday, Mann began her solo career in 1993 with the album Whatever and made a name for herself through her independent success and the founding of her record label, SuperEgo Records. Along the way, Mann forged a powerful new sound driven by her distinctive singing style—stripped-down, folky, acoustic but also forceful and cerebral, exploring psychological themes with dark wit and an eye for the world’s ugliest power plays.

In 2017, Mann released her acclaimed album Mental Illness, which won Best Folk Album at the 60th Annual Grammy Awards. The New York Times proclaimed, “Mental Illness wallows in its troubles, and it’s an exquisite wallow,” while The Los Angeles Times declared “Every doomed syllable is sacred and every tragic rhyme fits, as though each song were a puzzle to which only Mann knows the solution.”

In addition to her solo albums, she has appeared on many film soundtracks, most notably the score for Paul Thomas Anderson’s Magnolia, with “Save Me” landing her Academy Award and Golden Globe nominations for Best Original Song. Mann has also made numerous cameo appearances in films such as The Big Lebowski and TV shows like Portlandia and American Crime Story: The Assassination of Gianni Versace, in which she sang an indelible cover of The Cars’ song “Drive.” Other extracurricular activities include performing for President Obama and the First Lady at the White House and starting a Podcast with Ted Leo called The Art of Process.

Past Shows


May
1
st
2022
The Fitzgerald Theater
May
1
st
2022
The Fitzgerald Theater

Aimee Mann

with Jonathan Coulton
Nov
17
th
2012
Mainroom
Nov
17
th
2012
Mainroom

Aimee Mann

with TED LEO (SOLO)

More Shows

Nov
1
st
First Avenue

Alex G

with Hatchie
Jul
21
st
Turf Club

Christian Lee Hutson

with Another Michael
Dec
1
st
Turf Club

Joe Pug

Jun
24
th
First Avenue

DJ Keezy presents
The Klituation ⏤ Pride Party

with Sophia Eris, Maria Isa, Revii and more!