a just announced surprise performance by P.O.S

Minneapolis-bred rapper, producer, hardcore musician, punk philosopher, lyrical bomb-thrower and co-founder of the hip hop collective Doomtree, P.O.S (aka Stefon Alexander) released his latest solo full length, We Don’t Even Live Here, via Rhymesayers on October 23, 2012. The LP, which came three years after his well received LP, Never Better, finds the rapper with one foot still firmly planted in his punk heritage (he grew up listening to Minor Threat and Refused and has been in punk and hardcore bands since the late ‘90s) and another boldly striding into unconventional songmanship. 

Known for welding hip-hop with guitar squalls and screamed vocals, on We Don’t Even Live Here is influenced by P.O.S’s work with Gayngs and Marijuana Death Squad as well as musings into enlightened anarchist ideology. The album is literally and metaphorically centered on doing things differently. It’s a tight, bombastic record that builds on P.O.S’s penchant for grinding beats and radical-leaning lyrics while incorporating futuristic synth that wouldn’t sound out of place in a Berlin nightclub. Fueled by anti-establishment fury, which has always been part of P.O.S’s outlook, the release acknowledges that the boat for social change has already set sail and this is the music for those already having fun aboard.

P.O.S. has tapped collaborators including German DJ’s Boyz Noise & Housemeister, Gayngs’ Ryan Olson, Innerpartysystem’s Patric Russe, Bon Iver’s Justin Vernon (who lends his shapeshifting vocals to the heartfelt bear-hug of an anthem “Where We Land”) and P.O.S.’ trusted Doomtree co-conspirators Lazerbeak, Cecil Otter, Mike Mictlan and Sims. Bringing it all into focus is all-star producer and mix engineer Andrew Dawson (P.O.S.’s former high school classmate), who has worked on platinum releases from the likes of Kanye West, Jay-Z, Beyonce, Rick Ross, Lil Wayne and Fun. The raw vigor and resistance to categorization of this album positions itself to make a great impact on artists and listeners across genre lines and stand as a landmark recording for the future. POS raises the roof while razing the temple.