NEEDTOBREATHE
NEEDTOBREATHE
When NEEDTOBREATHE’s Bear and Bo Rinehart set out to write the songs that appear on the band’s new album, The Reckoning, they felt something bigger awaited them. It wasn’t just commercial success either. The band’s last album The Outsiders hit No. 9 on Billboard’s Rock Albums chart, went Top 20 on the Top 200, saw the band sell out venues such as Nashville’s Ryman Auditorium and Chicago’s House of Blues, and score an impressive number of placements in blockbuster films and numerous prime time television-shows. Bear explains “There was always this creeping reminder that we needed to show what the last ten years on the road had taught us. If we couldn't do that, everything we had worked for was meaningless.”
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With their reputation as a must-see live act built from non-stop touring, the Rinehart brothers, pastor’s sons who hail from the rural South Carolina town of Possum Kingdom, along with drummer Joe Stillwell and bass player Seth Bolt, were determined to create a statement-making album that truly captured the magic behind this genuinely appealing rock band. “We considered every note, every sound, and every lyric that went on this album,” Bo says of their fourth album The Reckoning, which was co-produced by the band with Rick Beato (who worked with the band on their records The Heat and The Outsiders), and was recorded over seven months mostly at their Plantation Studios in Charleston, SC. “Everything was put through the ‘Do we really believe in this or not,’ filter. We never settled. We were looking for a spark. Sometimes in the studio you’ve got to keep searching until something happens that feels magical. We were waiting for that moment to strike on each song before we called this album finished.” Bear adds, “At one point, we had done 10 different versions of the same song, but that process is what the record came to be about. We felt like no one could take this moment from us. I think you can feel the pressure we put on ourselves in every note of this record. The songs and the album became something much bigger than us ... something we had to live up to.”
Lyrically, all roads lead from the album’s title, which Bear says has several different meanings, one of them being the justification of accounts. “I like the idea that you put in all this work and at some point it comes to a peak -- that’s the reckoning time.” With their intriguing melodies and bright choruses, the songs on The Reckoning are certain to translate in the live setting, something that is crucial to the band. “The worst thing that could happen is you get done playing and people don’t think about you again. We’ll do whatever it takes to force people to make a decision about our band, whether they love us or not. It makes for more passionate fans. We've always bought into the fact that anything worth having is going to cost you a lot, so I think we were prepared to lose everything. The Reckoning is our investigation into everything we believed to be true and a justification for everything we still do.”
STEPHEN KELLOGG and THE SIXERS
On Gift Horse, their second album for Vanguard and fifth studio effort overall, Stephen Kellogg and his bandmates— Kit “Goose” Karlson (keys, bass, vocals), Brian “Boots” Factor (drums, vocals) and Sam “Steamer” Getz (guitars, vocals)—bring the rich legacy of American rock & roll into the present tense. This is thrilling music, muscular, immediate and life-embracing, steeped in tradition but addressing the present moment boldly and eloquently.
GRAHAM COLTON
It’s true - singer songwriter Graham Colton has an uncanny pop sensibility with deep roots in folk and rock music that has already earned him both critical and mainstream acclaim. His latest album, Pacific Coast Eyes, the follow up to 2008’s Here Right Now, hits right in the pocket of what Graham does best: write lyrics about universal themes of love and loss, and everything between in a way that uniquely ties himself to the listener; and most importantly, enables them to feel as though they are hearing the story of their own lives through Graham’s music.


