89.3 The Current presents ASOBI SEKSU and LONEY DEAR

Date: 
Friday, October 9, 2009
Performer: 

ASOBI SEKSU

ASOBI SEKSU
ASOBI SEKSU

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The signs in Chris Zane’s studio couldn’t have been any clearer: “Don’t Overthink It” and one simple word—“BOLD.” Or as Asobi Seksu guitarist/singer James Hanna puts it, “This time, our agenda was to not have one at all; to be mellow about the entire process instead of obsessing over everything.” Maybe mellow isn’t the right word, unless he’s comparing the band’s fourth proper full-length (Fluorescence) to a coiled-up cobra or unconscious crocodile—temperamental types that are one false move away from striking. After all, “Coming Up” sets the scene by plowing into beehive-like synth lines and warp speed washes of dream-pop that leave you wondering just what the hell is going on. Things don’t let up on “Trails,” either, as singer/keyboardist Yuki Chikudate sets her immaculate melodies against a barrage of battery-powered chords. Catchy and chaotic to the core, the sky-scraping song pays homage to the pitch-perfect songwriting of the ‘60s by chartering a yellow submarine to the moon. And when the Brooklyn-based quartet (rounded out by bassist Billy Pavone and drummer Larry Gorman) finally hits the ground, their color-saturated soundscapes don’t get dull or cold. They get even brighter, as Fluorescence’s many shades shift with each passing song. That includes everything from the expansive/erratic—and yet, oh-so-poppy—prog movements of “Leave the Drummer Out There” to the weightless balladry of “Ocean,” a track that channels its title with swollen synths and beats that bob and weave through the murkiest waters around. “James likes to get a lot more abstract with the music,” says Chikudate, “So Chris (Asobi Seksu’s longtime producer) will often try and reign him in.” “I like to see how far we can take a song before pulling back a bit,” explains Hanna. “Like I’ll say that 100 vocal tracks would sound great in a spot where we only need 40.” And since Asobi Seksu have spent the past decade refining their bombastic but beautiful blend of hailstorm hooks and fog-shrouded 4AD-isms (including last year’s special acoustic album, Rewolf), they knew exactly what to do with all of that restlessness: embrace it.

Special Guests / Opening Acts: 

LONEY DEAR

Hailing from the small city of Jonkoping, Sweden, Loney Dear's primary member Emil Svanängen first began recording homemade, overdubbed tapes of delicate, folkish indie pop in the early 2000s. As Loney, Dear (the band has since deleted the comma from its name), Svanängen self-released three homemade CD-Rs through his website: River Fontana Redux, Citadel Band, and Sologne. As buzz developed through MP3 blogs and other new media manifestations, Sub Pop offered Svanängen a contract in 2006.

Venue: 

First Avenue

Location

First Avenue
701 First Avenue North
Minneapolis, MN 55403-1327
United States
Phone: 612-332-1775
44° 58' 43.3416" N, 93° 16' 33.762" W

Event Details
Friday, October 9
7th Street Entry / 8:00 pm / 18+
ASOBI SEKSU
$12.00 adv | $12.00 door
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