THROW ME THE STATUE and THE BRUNETTES
THROW ME THE STATUE
Throw Me The Statue on Myspace
Taking his moniker Throw Me the Statue from an old mixtape title, one-man multi-instrumentalist Scott Reitherman relocated from Half Moon Bay, a small city south of San Francisco, to New York and then Seattle with aspirations of starting up an independent label called Baskerville Hill Records. Inspired by the lo-fi and D.I.Y. sensibilities of K Records, he started putting out CDs in 2004, including one by fellow Vassar College student Sam Beebe (aka Black Bear). Around the same time, Reitherman started multi-tracking an album of jangly indie pop using layers of guitars, keys, drum machines, melodicas, glockenspiels, and whatever else he could add to the mix. Although he wrote and performed the majority of the album himself, some friends contributed to the process, including Casey Foubert of Pedro the Lion and Sufjan Stevens' band. When his debut album, Moonbeams, was finished in April of 2007, Reitherman started assembling a live band, wrangling up Aaron Goldman, Will Cone, Joe Syverson, and Jarred Grimes to assist him on-stage. Secretly Canadian caught wind of his project, and signed Throw Me the Statue to the label's high-profile indie roster, before re-releasing the album and sending him on the road to open up for Jens Lekman on tour in the beginning of 2008.
by Jason Lymangrover
NURSES
Nurses return with Dracula, the follow-up to their 2009 homemade psych gem Apple's Acre. Dracula is steeped in the strange pop brew that bore Apple's Acre, with the band's unmistakable elastic melodies, heady pop hooks and unconventional knack for catchy songwriting that gets under your skin. But where Apple's Acre was an insular album, recorded primarily in an attic in Idaho using just an internal Macbook microphone and primitive recording software, Dracula is bursting.
