By most fifth LPs, the band’s sound is pretty set. Parameters established. Refinement dissipated. You get a to-formula execution of what’s worked in the past. Fair enough. All Them Witches go a harder route. In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album (second for New West), Sleeping Through the War. It brought a larger production value thanks to oversight from producer Dave Cobb (Jason Isbell, Shooter Jennings, etc.), found them using choral vocals, expanded arrangements, bigger sounds than anything they’d done before.