89.3 The Current presents TAME IMPALA
THIS SHOW IS SOLD OUT
Tame Impala’s debut record from 2010, Innerspeaker, received a tropically warm reception thanks in part to its irreverent, contemporary spin on assumedly dead and forgotten sounds, as well as its unique, infinitely surprising way around a melody. It was youthful, romantic songwriting in a melting technicolour dreamcoat. Their second record Lonerism, released in October 2012, is on a whole new level of cosmic and will soon be here to sizzle your speakerboxxx.
Sonically Lonerism is a quantum leap forward for the band, the seeds of which were sown shortly after mixing of Innerspeaker had been completed. Again recorded and produced almost entirely by Kevin Parker in studios, planes, hotels and homes around the world, and mixed by the trailblazing Dave Fridmann, it's a sound not so much reinvented as completely redrafted and stretched way, way out. Lonerism's most apparent advance is in it's synthesizers - there's swathes of them cutting melancosmic shapes across almost every track. There's still the searing guitar lines, bouldering drums, free bass and of course Parker's voice, but now there's heavily mournful pads and sunshine lead lines from an army of analogue explorers in the mix. The songwriting is as joyously screwy as ever. Songs swerve when you expect them to duck, and turn themselves inside out when you expect them to straighten out, there's so many melodic curveballs it's dizzying. And it's a heady, heady record for all the loners, lyrically sweet and casual, relaxed but at times deadly serious, and oddly, deeply amorous.
"Be Above" applies a cleansing pressure hose to the brain, and "Endors Toi" plunges you into a deep sleep of ripping guitar riff dreams. "Music To Walk Home By" is as it says on the tin, announcing its arrival at the front gate with the kind of ceremonious, shredding guitar riff that makes home seem like a good place to be. "Keep On Lying" intentionally drifts in and out as if in the middle of a wandering jam at the end of the earth, "Feels Like We Only Go Backwards" is as close as Tame Impala will ever come to a top down cruising anthem, albeit one from a cracked reality and soaked in a deep, solo melancholy. "Elephant" doesn't hide it's rollicking, outerspace glam strut, while "Nothing That Has Happened So Far Has Been Anything We Could Control" arguably boils the essence of Lonerism into a dense, ecstatic brew of utopian proportions. Lonerism is one loner standing staring at an expansive moonscape of psychedelic song, but it's so unpretentiously evocative and transcendental it's for everyone to enjoy. See you there.
Listening to The Growl’s colossal sound – built up in layers of percussion, with guitar tones one music critic aptly described as leaving the taste of iron on your tongue – it is hard to believe the band began as simply as a bedroom recording project between two friends. Seeing them live, as a six‐ piece dual‐drummer wall of sound, more so. And while the core of the band is still founding members front‐man Cameron Avery and bassist Clinton Oliver, it is safe to say the band has come a very long way in a very short time.