Doomtree presents BLOWOUT WEDNESDAY: Curated by P.O.S.
Presented by 89.3 The Current and City Pages
"For my night I picked Marijuana Deathsquads and Poliça. All the bands in the night share members, and have played together in some way or another. Poliça is a great band. I love Channy's voice. They don't really sound like anything else. I'm excited to hear them in the Entry. Deathsquads is my favorite party. The way we work has informed a lot of what my new record sounds like, they are the live band I choose when doing P.O.S with a band. Entry sound. Ben Ivascu is the hero of the night playing in every band. His drumming is unreal." -- P.O.S.
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P.O.S
P.O.S built his reputation as an innovator, with an unlikely punk rock past and expressive, honest content. He re-earns the accolades with every release. He manages to capture his charisma on his records; they’re driving and sincere, the dark moments counterbalanced by some giggling banter with the engineer.
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As a little kid, Stef developed a fascination with an older cousin’s bass guitar. Stef was allowed to take it home and he banged on it happily for years before realizing that it was intended to be played through an amp. "I just thought it was supposed to be a quiet instrument." As a teenager, he fell hard for punk rock. Minor Threat, At the Drive-In, Refused, Kid Dynamite. He played in a series of hardcore bands, sometimes as a drummer, sometimes on guitar and vocals. From the start, he preferred basement shows to club gigs. Simultaneously, he pursued hip hop, rapping in the hallways and after school with classmates who would eventually found Doomtree Records. P.O.S released his first rap record, Ipecac Neat, on Doomtree in 2003. Soon it was re-released and widely distributed on Rhymesayers Entertainment. He built on this momentum with the release of the albums Audition (2005) and Never Better (2009).
Like many great rappers, P.O.S creates his own self-contained little microcosm-his characters become familial to us; we get in on his slang and inside jokes. His mother and his son Jacob emerge as familiar personalities. We know his politics too: P.O.S doesn’t hesitate to call out the compounding absurdities of pop culture, either with a little friendly ribbing or with a Molotov cocktail. On Never Better he drops deft one-liners that cut to the quick of America’s stuff-obsessed culture, "Can’t take it with them can they? Some critics will be eager to categorize P.O.S’ work as a hybrid, a crossover of some kind. But it’s probably not. P.O.S is a rapper with range, he’s a real musician and an unstoppable performer. For him, genres are as they ever were: permeable.
MARIJUANA DEATHSQUADS
Marijuana Deathsquads are comprised of multiple drummers, a slew of electronic instruments, and highly effected vocals, their live shows are a violent onslaught of improvised electronic-hardcore. They began as a side-project of Building Better Bombs, which is why all members of BBB are also in Marijuana Deathsquads. Their live shows, as well as studio recordings, feature multiple colaborations with a ton of outsourced musicians. This results in a constantly evolving experience, teeming with spontaneity and surprise.
POLIÇA
POLIÇA (pronounced po-lisa) began as a collaboration between fellow Gayngs' members Channy Casselle and Ryan Olson in June of 2011. By July they had completed 11 songs, made the key additions of drummers Ben Ivascu and Drew Christopherson, bass player Chris Bierdan, and headed into the studio. After Mike Noyce (Bon Iver) lent his voice on "Lay Your Cards Out" and "Wandering Star," the record was brought to Austin, TX to be mixed with Jim Eno (Spoon). In a few days, the LP was completed and the band Poliça was formed.
