Blur The Line feels like an eponymous debut. This record is not a departure, nor is it simply growth. It is a realization purely of where Those Darlins are as artists right now. After sophomore record Screws Get Loose, Jessi, Nikki, and Linwood set out to uncover the true complex, contradictory nature of themselves as individuals and as a band. The result is a record to file on your shelf between Patti Smith’s Easter and Fleetwood Mac’s Tusk.