DAVE BECK, THE HALF HEARTS and FORT WILSON RIOT
DAVE BECK
Dave Beck is an Iowan, born and raised, who has found his way into the heart of the Brooklyn song-writing scene after traveling across the nation, studying and playing music. He spent one year in Hollywood attending guitar school at Musician's Institute which he decided was more like the School of Rock meets the 13th grade than a college. Beck's time there was both productive and strenuous when it began to demand 10 hours a day, turning the joyous act of songwriting into a constant demand. After he experienced a stress injury piled on an old shoulder injury from high school, he officially became a guitar school dropout.
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From there he headed to Iowa City where he went to shoulder rehab and the University of Iowa, a Mid-western oasis for writers, musicians and liberals. He worked at Mickey's Irish Pub, and started writing songs again. He carved out his own major, graduated, and escaped the Midwest once again. Dave Beck's first song ever written was for a class project about parenting called "Growth and Development" and this little ditty made him realize he could be writing songs instead of doing projects. He started some high school bands, Cam's Dream and Degrees of Freedom, which were "real good times" in his words. But these days the show is mostly Dave Beck and his guitar gracing the stages of New York. Brooklyn's Local Correspondents songwriting collective boasts him as an active member and he can be caught at the occasional Bar 4 Tuesday night open mic, but he's gearing up for a tour out to the Midwest in support of the October 26 release of Stranger Homes.
THE HALF HEARTS
The Half Hearts have been described as a mix between Fleetwood Mac and The Pixies. Originally from Duluth, MN - this indie pop quartet combines elements of progressive rock, surf, grunge, cabaret, and neo-classical arrangements. Each member has a unique style – the Vintage Queen, Twee, Mountain Man, and Meta-Nerd. You wouldn't think this line-up would work, but it comes together like a classic cheese-wine-fruit pairing.
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In 2010, The Half Hearts released their debut album, After the Flood, which chronicled singer-guitarist Flip Arkulary’s difficult time finding grounding in the Recession of 2008. He worked on Barack Obama’s Presidential Campaign and finally ended up in South Minneapolis with fellow band mate, singer-bassist, Robert Cox. Together Flip & Cox toured the country and built the framework of what would become the modern day Half Hearts. Singer-keyboardist, Caitie Collins, attended the University of Iowa with Flip, but the two hadn’t seen each other in years. She moved to Minneapolis, got engaged, and joined The Half Hearts when the engagement fell through. Singer-drummer, Mitch Miller, joined the band last after being in a slew of Minneapolis ensembles. Together they wrote and recorded their sophomore album, Uptown Sound, which catalogues their lives in South Minneapolis over the last two years – tales of snobby scenesters, lost loves, seedy gangsters, wild women, and the struggle to get noticed in an ever-changing world of music.
FORT WILSON RIOT
As they tumble out of the back of a maroon minivan into clubs, bars, living rooms and festivals across America, Fort Wilson Riot are liable to become a favorite local band, no matter where you live. Splitting their time between unstoppable touring and incessant recording, the Minneapolis-based duo of Amy Hager and Jacob Mullis have no shortness of ambition. In their time as a band they have recorded an indie-rock opera, Idigaragua, and performed it with a full cast of actors and dancers, produced and recorded their full length follow-up, Predator/Prey, and dropped singles, remixes and compilations.
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Their ambition doesn’t just include themselves, they actively work to promote other bands who become friends and collaborators on the road. Amy & Jacob will often go out with bands who are perhaps making their first attempts at a tour and Fort Wilson Riot has released several of the Wild-Eyed Scientist mixes to spread the word about the great music and musicians they find all across the country and the world! In their own music, Fort Wilson Riot isn’t just happy to let it stay the same either. Yes, they make great harmonies, with Amy’s soprano lifting and floating over Jacob’s growl and yelp, but there is nothing easily classifiable about the rest of their sound. From the crashing guitars and keys, to the blasting uplift of trumpet and harmonica lines to the dancing thump of electronic drums, Fort Wilson Riot are an energy that grabs a hold of you and takes you on a journey. The music doesn’t let up, and wherever they are, neither do Fort Wilson Riot.
HOT ASHES
Hot Ashes initiates nothing, as it is lazy, globular and covered in tentacles.
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Gus Watkins, Ray Minge, Dave Meadows, Steve Jaksa, Justin Korhonen




