PHILLIP ROEBUCK
PHILLIP ROEBUCK
PHILLIP ROEBUCK is a Virginia-born, New York-bred songster and bare bones one-man band. With punk rock intensity, Roebuck stomps out beats on a classic, depression-era drum apparatus, while strumming the banjo with a fierce ragged-but-right style. Some might call it Roots music for the new millennium. Although he has played over a thousand shows in venues and on festival stages in the U.S. and Europe, Roebuck can just as easily be seen performing on a street corner in New Orleans or New York City, where he has spent nearly a decade honing his skills as a one-man band.
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"Phillip Roebuck is poorly suited to written description. Merely describing what he does makes it sound trivial, when it is actually mind-blowing. Phillip is a one-man band in the traditional mould: He sings, plays banjo and harmonica with a bass drum strapped to his back, which he operates with a foot-powered harness that also plays the tambourine and maracas. See? That sounds silly, doesn't it? But Phil isn't silly, he is both a delightful oddity and the purest kind of genius. He plays in a frenetic style that suits his reedy, mountain-style singing, and manages to sound both plaintive and raucous at the same time. Look past the contraption and be enlightened." [Steve Albini, 2004]
AL CHURCH AND STATE
"By about the one-minute mark of Al Church And State’s debut album—right when the group’s adenoidal harmonies kick in atop some arena-ready crunchy riffage—it’s pretty clear that Al Church is one big Weezer fan (so much so, he apparently used to front a tribute band to the group). Thankfully, Church’s Rivers Cuomo fixation extends only to the band’s formative adolescent-angst-anthem and sweater-destroying era—no Raditude-styled b.s. here—and doesn’t dominate the entire album.
IN THE CINEMA
In The Cinema is the beat-driven folktronic duo of brothers Joe and Ryan Hughes, blending classic acoustic tones and ambient electronica.


