TELEKINESIS and THE LOVE LANGUAGE
TELEKINESIS
Telekinesis is Michael Benjamin Lerner (drums, guitar & vocals) with Chris Staples (guitar), David Broecker (electric, acoustic & bass guitar), and Jonie Broecker (bass guitar & keyboards) joining him on tour. They all live in Seattle, WA. Telekinesis! (MRG344) was produced, engineered, and mixed by Chris Walla (Death Cab for Cutie, The Decemberists, Tegan & Sara). Walla and Lerner tracked and mixed each of its songs to analog tape in a single day before moving on to the next song, with the ambitious goal of never over-thinking or sabotaging the spontaneous enthusiasm of the music.
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Telekinesis: A Factual, If Editorialized, Introduction
It's such an impossible thing, at this funny little point in history, to not look back: We're recording every little thing with our cameras that make the little noise like cameras used to make; we're measuring our actual selves against our online selves with hopeful resignation; we're rendering and retouching the record of our lives at every turn. If it can be perfect then let's make it so, goes the wisdom of the moment. To be fair, there's a certain convenience about perfection. It's easy to wear and see and swallow and enjoy, and it leaves the heart light. It's also totally boring. And though occasionally friendly and welcoming, literal perfection in pop music is never, ever awesome. Which is where Telekinesis comes in. On record, Michael Lerner is the sole member of Telekinesis, more or less. He writes, sings and plays the songs. His love of Japan knows no bounds, though he's never been. He's a fantastic drummer and a fearless singer, and he does not look back willingly.
I mean, you can forcibly crane his head around in a pinch (mortal danger and Seinfeld reruns qualify). But Michael's songs are ridiculously immediate, and he delivers them with blinding velocity. His approach to music isn't unlike those spikes at the rental car place: backing up deflates the tires, and not in a pleasant way. It's reflected in Michael's writing, too, this philosophy of ever-forward motion. These are big-hearted songs, written quickly and from the gut. Telekinesis is the geography of dreams; a school year abroad; love letters from Liverpool coffee shops to the Carolina coastline and Tokyo and everywhere in between everywhere; a road trip waiting to happen. And it's absolutely perfect, but not because anyone went back to fix it. It just happened that way.
~Chris Walla (Death Cab for Cutie), January 2009
THE LOVE LANGUAGE
The Love Language, initiated by Stuart McLamb, is a fortunate by-product of the North Carolina native's rudderless mid-20s, where a tempest of breakup, inebriation, and incarceration found the abandoned songwriter embarking on a storage-space recording project to slow his seeming disintegration. The growing body of emotional fight songs, committed to MP3 with a high-school era multitrack recorder, became postcards from exile, a way to let his friends and former flames know he was getting along, battered but not beaten.
'The Love Language was never intended to be a band,' explains McLamb from a borrowed porch in Durham County. 'Those songs were never intended to be for anyone except my ex-girlfriend. That was my outlet, and at one point, it caught fire.' The self-immolating beauty of the budget correspondences was exhausting and triumphant; McLamb's dalliances with rejection and redemption would be minted in a self-titled debut on Portland independent label Bladen County in March of 2009. Although The Love Language is a remarkable oeuvre, re-creating it was the last thing anyone wanted for the victorious McLamb. 'I think another record like that would have to come out of another near-death, bottom-rising situation-I didn't really wish that upon myself.'
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RED PENS
Seeing the Minneapolis duo Red Pens is like witnessing a demonstration. A demonstration in raw sonic bliss. Howard Hamilton III is a string bending master and knows how to make feedback work to his advantage. His confident vocal stylings coupled with drummer Laura Bennett's all or nothing kit pounding are about as uniquely refreshing as it gets these days.




