TWO DOOR CINEMA CLUB
TWO DOOR CINEMA CLUB
Northern Ireland’s TWO DOOR CINEMA CLUB is a music-mad trio whose debut album fizzes with invention and sparkling tunes. Rooted in rock and pop, with elements of electronica / electro, and Afro-beats, the sum is greater than any ‘indie electro pop’ parts.
OFFICIAL SITE :: MYSPACE :: FACEBOOK :: TWITTER
Two Door Cinema Club’s story begins in 2007 with three 15-year olds at school in a town just outside of Belfast, Northern Ireland. Vocalist/guitarist Alex Trimble and bassist Kevin Baird studied music together; guitarist Sam Halliday was a friend of Alex’s. The trio initially formed a rock band with a drummer, but after his departure, the remaining members realized, “We were playing music that we weren’t enjoying,” says Kevin, “so we said ‘let’s write some songs, without any pretense of what they’ll sound like’. That’s why we find it so hard now if people ask us what genre we are.” Experimenting included using a laptop to generate beats. “It was born of necessity at first because we didn’t know any other drummers,” says Alex. “We weren’t sure it would work but we grew to love it.”
By this point, the boys’ tastes had gravitated toward alt/indie-rock, such as Bloc Party, Architecture In Helsinki, Death Cab For Cutie and Modest Mouse, whose collectively leaner, rhythmic and melodic approach spilled over into their own music. Gigs were quickly secured on the back of two songs posted to MySpace, followed by a deal with French label Kitsuné and immediate support from radio of their debut single, “Something Good Can Work.”
Two Door Cinema Club released their debut album, Tourist History, on March 1, 2010.
BAD VEINS
Bad Veins are a rarity in today’s musical landscape: An act who didn’t set out to become critical darlings or the next “buzz” band, but managed to achieve both after only playing a handful of shows. However, despite the fact that Bad Veins’ music has been instantly embraced since their inception in late 2006, the duo of Benjamin Davis and Sebastien Schultz decided not to rush out the disc you’re currently holding in your hand. The result is Bad Veins, an album that’s unique but familiar, and not only lives up to the hype but surpasses it.
FUNERAL PARTY
Funeral Party formed late one night in a park in Whittier, California, an East Los Angeles suburb comprised of mostly working-class enclaves. Hardcore bands and metal bands dominated the local music scene at the time. However, in the East Los Angeles neighborhoods adjacent to Whittier, a post-punk, dance-craze revival was emerging and Funeral Party began gigging every weekend. The band quickly developed a following. Initially, they didn’t own any equipment and had to borrow it from other bands at East L.A. backyard parties and warehouses.
