Tickets On Sale This Week: March 5, 2015

ON SALE: Friday, March 6 at 11:00am CT

Alabama Shakes with Father John Misty Hall's Island SAT MAY 30

ON SALE: Friday, March 6 at noon CT

Pianos Become The Teeth Triple Rock FRI APR 24
R. Ring 7th St Entry SUN MAY 3
Bop English 7th St Entry THU MAY 7
My Goodness 7th St Entry TUE MAY 12
Hiatus Kaiyote Fine Line TUE MAY 12
Longhorn Reunion ft. The X-Boys | Hypstrz | Curtiss A | Flamingo | and more Mainroom SAT MAY 16
Other Lives Triple Rock THU MAY 21
HONEYHONEY 7th St Entry TUE JUNE 9
Steve Gunn 7th St Entry THU JULY 9

ON SALE: NOW

Kid Dakota Turf Club MON MAR 16
Kill It! Comedy & Variety Show with host Rana May Clown Lounge SUN MAR 22
Human Kindness Not Apathetic Tape Release Show Turf Club THU MAR 26
Viktor Simco’s Silent Auction for Alzheimer’s
ft. Kenwood Mansion | The Person & The People | Crooked Saws
Turf Club SAT MAR 28
High Bob & The Hustle | Special Guest Clown Lounge SUN APR 12
Set Up Show Vol. 2 Tour ft. Cham & more Mainroom FRI APR 17
Ryan Traster Band | Chris Pureka Turf Club TUE APR 28
Orgone Bunkers THU MAY 21
Official Soundset Before Party ft. Prof & more Mainroom SAT MAY 23
Official Soundset After Party ft. Get Cryphy Mainroom SUN MAY 24
Insomnium 7th St Entry TUE AUG 18

This Week at the Turf: March 4, 2015

WEDNESDAY: Dan Mangan + Blacksmith

Dan Mangan is a two-time JUNO award winning & two-time Polaris Music Prize listed musician and songwriter hailing from the city of Vancouver, Canada. Club Meds is the fourth LP offering from Dan Mangan, and the first under the moniker "Dan Mangan + Blacksmith". The new namesake is timely, as this album is indicative of a new beginning, of sorts. "Blacksmith" is Kenton Loewen, Gordon Grdina, John Walsh (and often Jesse Zubot, JP carter and Tyson Naylor). Many of these musicians have played with Mangan for years, but there's a reaffirmed cohesiveness or communal sensibility that merits the marquee amendment. Blacksmith brings an unmistakable character to Club Meds; a stark glassy edge that swells and sways like a roaring ocean. Through a haze of analog feedback loops and synths, the band's performances breathe deeply and steadily. At times, Club Meds evokes images of subtler American-underground innovators like Blonde Redhead or Steve Reich. At other moments, it hits emotional pay-dirt reminiscent of British scene-survivors like Peter Gabriel or Radiohead. Heated moments, heavy discussions and long, sweaty sessions delivered what is no doubt the most mature song-crafting to come from Mangan and his collaborators to date. Also performing: J.E. Sunde and Astral Swans.

Sounds Like: The Head and the Heart, Bon Iver, Of Monsters and Men

THURSDAY: Duncan Trussell Family Hour (SOLD OUT)

Duncan Trussell is a stand-up comedian who currently stars on Syfy channel's Joe Rogan Questions Everything. Duncan's popular podcast, The Duncan Trussell Family Hour, is known for its blend of humor, fringe ideas, eclectic guests, and great interviews. He regularly tours the country as a stand-up comedian and has performed at Just for Laughs Festival in Montreal and the Moontower Comedy Festival in Austin. In addition, Duncan has appeared on Curb Your Enthusiasm, Cartoon Network's Adventure Time, and Comedy Central/Funny or Die's Drunk History. Duncan is a fixture on the LA comedy scene and a regular at the legendary Comedy Store. You may have seen him on Nick Swardson's Pretend Time playing a pro-meth protestor, or briefly glimpsed his name flying by on the credits to an old episode of MAD TV. In addition to these credits Duncan is also a recurring guest on the Joe Rogan Experience, and co-hosted the very popular Lavender Hour podcast from 2010 to 2012 with Natasha Leggero.

FRIDAY: The Reverend Peyton's Big Damn Band

The Rev. Peyton's Big Damn Band bridges genres and eras with an intensity and effortlessness few contemporary artists possess. And their new album So Delicious elevates the trio's work to a new level. Produced by Rev. Peyton, So Delicious offers the band's most diverse collection of songs buoyed by the Rev.'s supercharged six-string virtuosity - a unique style of fingerpicking inspired by his Delta blues heroes, but taken to new, original heights. The fifth full-length original album by the group - which includes Breezy Peyton on washboard and supporting vocals and Ben Bussell on drums and supporting vocals - is their debut on Yazoo Records, a label known for the historic reissues of blues and other old time American music that are the bedrock inspiration for the Rev.'s sound and approach.

"Raise a Little Hell" is a new track on the album that stages the set's first video and lays out the band's live modus operandi, thriving on Bussell's and Breezy's chugging beat and the Rev.'s resonator guitar riffs. The song was inspired by a show at a folk festival, where one of the promoters - struck by the Big Damn Band's raucous, juke joint power - told the Rev., "Y'all sure raise a lot of hell." "I said, 'Naw we don't,' " the Rev. recalls. "And then I thought, 'Well, maybe we do raise a little hell.'" Rev and the Big Damn Band will spend Friday night "raisin' hell" at the Turf Club, so be sure not to miss out. Opening up the night will be locals Marah in the Mainsail.

Sounds like: Th' Legendary Shack*Shakers, Scott H. Biram, Slim Cessna's Auto Club

SATURDAY: Sidewalk Chalk

With the release of its sophomore album, Leaves, Sidewalk Chalk continues to lead the contemporary evolution of hip-hop, soul, and jazz. The band's roots are firmly planted in Chicago where all eight members bring their respective talents together to update a sound first heralded in the Native Tongues-era but never so musically diverse. The group's unique arrangement allows them to incorporate numerous styles seamlessly: an MC and female vocalist; a trio of keys, bass, and drums; a horn section with trombone and trumpet; and a tap-dancer. Sidewalk Chalk has created a live show that captivates a variety of audiences. The group has already shared stages with ?uestlove, De La Soul, Action Bronson, Jean Grae, Hiatus Kaiyote and other notables. Individually, band members have acted as musical director(s) for Brother Ali, toured with Jazzanova and played behind Buddy Guy and Talib Kweli. Sidewalk Chalk was named "Most Outstanding Group" at the 2012 Chicago Music Awards, and its MC represented Chicago at the 2010 World Expo in Shanghai, China.

Also performing: Dichotomy is the result of combined musical influences to create music that is diverse and unique. It bumps like hip-hop, yet tells a story like classical music. It's heavy and soulful, yet other-worldly and electronic. Dichotomy fuses genres to create its own signature sound of pulsing rhythms driven forward by melody. Southside Desire is Femme-fronted soul, homegrown and destined to serenade the city with the next wave of rhythm & blues. Angelic harmonies ride under heated croons, summoning the soul and disco hits of yesteryear while projecting from the depths of today. The songs are all original, bringing neo-soul to a new standard with a wall of golden voices and a thick, unstoppable groove.

SUNDAY: The Juliana Hatfield Three

The Juliana Hatfield Three has reformed to make a second album twenty-one years after their first, Become What You Are, was released on Atlantic Records and secured a permanent place in alternative rock history. With its radio hits, "My Sister" and "Spin The Bottle", Become What You Are was an influential force of uncompromising, original, melodic guitar pop/rock. In the intervening years since 1993, Juliana Hatfield's musical output has never slackened; on various major and independent labels, she has released an average of one album a year, solo and with other projects. My Love was recorded with the original lineup of Todd Philips (drums), Dean Fisher (bass), and Hatfield (guitars, vocals, keyboards, and percussion) at Nuthouse Recording in Hoboken, New Jersey. Tom Beaujour (Nada Surf, Guided By Voices, Minor Alps) engineered and co-produced. Todd Philips has had a successful career in the film industry in L.A. and has also recently been touring as the drummer for the Lemonheads. Dean Fisher has been playing music in the Boston area, most notably with Tanya Donelly, and Dylan in the Movies.

Sounds like: The Breeders, Liz Phair, Belly, Throwing Muses

MONDAY: The King Khan & BBQ Show

The pioneering rock'n'roll legend that is The King Khan & BBQ Show are releasing their first full-length album in over 5 years, Bad News Boys, this Spring on In The Red Records. Bad News Boys is riddled with 13 hits that will take you on a rock & roll journey. The King Khan & BBQ Show's formula of mixing timeless classic rock'n'roll melodies and harmonies with pure butt shaking savagery has hit the nail right on its head once again. Get lost in the romantic ballads about love and loss. Get pummelled in the gut with their return to classic floor punching hardcore. Get all loosely goosey with their true R&B Gospel salvation/salivation and feel the Holy Spirit deflower your holiness. Get crushed by the crunchiness in their celebration of crunch. Just get! Got it? Good!

Sounds like: Black Lips, Shannon and the Clams, The Dirtbombs, Thee Oh Sees


Blog by Kevin Clancy

This Week in the Entry: March 2, 2015

MONDAY: THE TWILIGHT SAD

The Twilight Sad comprises James Graham (vocals), Andy MacFarlane, (guitar/electronics) and Mark Devine (drums/keyboard). Forming in late 2003, the band played a couple of early shows at Glasgow's 13th Note. They created half hour pieces of music utilizing guitars, bass, drums, theremin, tape loops from films and old folk and country songs, effects pedals, toy keyboards, thumb pianos, computer games and various other ephemera. Subsequently withdrawing to the studio to refine their sound, and rejecting any live shows offered, the band underwent a gradual metamorphosis into a more traditional, but still sonically adventurous outfit, with a more overt inclination towards emotive, eloquent song. In 2014 the band released their latest album, Nobody Wants to Be Here and Nobody Wants to Leave which showcases a sound that embraces and combines all of The Twilight Sad's previous releases. Opening for the night will be the NYC-based Port St. Willow.

TUESDAY: FRNKIERO ANDTHE CELLABRATION.

Doing your own thing is a modus operandi that's worked well for Iero, the former guitarist in the groundbreaking outfit My Chemical Romance, who was responsible for bringing (and maintaining) an old-school punk energy to that band's bigger-than-life-and-twice-as-heavy rock vision. After 10 years, four albums and rounds of incessant touring, MCR quietly adjourned in March of 2013. But the creatively restless guitarist has always held a hardcore work ethic, a mindset that helped propel Stomachaches, his proper debut full-length on Staple Records.

"My definition of a punk-rock mindset is that you do what you do because you have to do it," he continues. "Not because of who you are trying to please or what you're trying to make. These are things that need to be done for your sanity, for you to stay alive. I don't know if that's punk-rock or not. I'm a very sensitive person, and for me to say, 'I don't care about what you think,' well, that's not entirely true. Ultimately, it doesn't change what I want to do, but if you have something terrible to say to me, it's going to hurt because I'm a sensitive person. It's not going to affect the outcome." He begins to laugh. "It'll probably make me more self-loathing! I don't think it's punk rock; that's neuroses. If you have a patch for that, I'll take it and wear it on my jacket!" -Frank Lero

The Tuesday night gig by this four-piece punk band will be supported by the acts of THE HOMELESS GOSPEL CHOIR and MODERN CHEMISTRY.

Sounds Like: My Chemical Romance, Panic at the Disco!

WEDNESDAY: CONTINENTAL | THE SHONDES

CONTINENTAL is the latest project from Rick Barton whose resume also includes notable Boston acts THE OUTLETS, EVERYBODY OUT!, and DROPKICK MURPHYS. The concept for CONTINENTAL began with Rick's son Stephen Barton who, after hearing a rough solo recording of his dad playing his original composition "Curious Spell" in 2009, encouraged his old man to put a band together and bring this style of songwriting on the road. In Rick's words, his style is "…a blend of folk, punk, and country with a heartfelt message of love, loss, pleasure, and pain.'

The Shondes (rhymes with "Hondas" and Yiddish for "shames" or "disgraces") are a rock band from Brooklyn, NY, who play Bikini Kill-meets-Bruce Springsteen-style sing-along anthems for you. Formed by best friends Louisa Rachel Solomon and Elijah Oberman back in 2006, the band has included a handful of amazing guitarists and drummers the pair affectionately refer to as "The Greater Shondes Mishpocha".

Genre: Post-rock, Indie, Punk

THURSDAY: KIDS LIKE US & BEAK NASTY (LIVE)

Kids Like Us is composed of a family of three musicians, Sam Wayne, Eli Fhima, and Lizzie Fontaine as a featured vocalist. Mixing Lizzie's soulful and jazzy sound with Sam and Eli's dark/conscious lyrical images and quick-witted rhythmic flow is a recipe for expressive, moving, and head bouncing hip-hop. At only 20 years old, KLU has tackled several local clubs with their smelly DJ Beaker in the MPLS/STP area. They have grabbed the audiences attention in venues such as the Cabooze, First Avenue, Fine Line, etc. Sharing the stage with artists such as Tech n9ne, Freeway, Joell Ortiz, Mod Sun, Asher Roth, AND G-Eazy.

Beak Nasty (Ryland Sabien) is a multi-instrumentalist/producer/DJ that combines the sounds of hip hop and intense bass lines to create futuristic chill funk/electro soul music. When he moved out of his small Wisconsin hometown at age 16, he immediately got involved with the Minneapolis hip hop scene by producing and DJing for the likes of Kids Like Us, Allan Kingdom, and many others. Nasty was recently featured in a song by Vaski titled, "Weightless" and has over 1 million views on their official YouTube video.

Check out this funky new beat at the 7th St. Entry and enjoy $3 PBR Tall Boys 8-10pm. Also performing that night will be KOSHA DILLZ and TIIIIIIIP.

FRIDAY: ARE YOU LOCAL? (early) and 2:54 | HONEYBLOOD (late)

Friday's early show in the Entry features the 4 finalists of Vita.mn's Are You Local? contest, who will compete for the Best New Band crown with Vita.mn sending the winning band to Austin, TX to play the Vita.mn / First Avenue showcase during the 2015 SXSW Festival:

  • Baby Shel
  • Sam Cassidy
  • Moon & Pollution
  • The Stress of Her Regard

The Entry's late show features a pair of female-fronted duos from Great Britain: 2:54, which is made up of London-based sisters Colette and Hannah Thurlow, and Honeyblood, a Glasgow-based noise pop outfit whose debut self-titled LP was released in July 2014 on FatCat Records.

Sounds like: Warpaint, Jenny Lewis, Metric, Best Coast

SATURDAY: THE DODOS

Performing Saturday evening will be San Fancisco-based indie-folk duo THE DODOS. Originally formed in 2006 as Dodobird by multi-instrumentalist Meric Long, the band soon welcomed the arrival of Logan Kroeber, a fellow West Coast artist whose penchant for experimental drumming and progressive metal melded perfectly with Long's interest in West African Ewe drumming and country blues fingerpicking.

Sounds like: Department of Eagles, Grizzly Bear, The Morning Benders, Bowerbirds


Tickets On Sale This Week: February 26, 2015

#FacesOfFirstAve: David from Rochester, NY

This week, Faces of First Ave interviewed an incredibly charming giraffe.

***

May I borrow a moment of the giraffe’s time?

Of course! I’m David. I’m from Rochester, New York.

Did you come all the way just for the Flaming Lips show?

I did. I’m a pretty hardcore Flaming Lips fan. This is my 19th Flaming Lips show since 2011.

That’s amazing! Have you been to First Avenue before?

I was here last year when they did the “Transmissions From the Satellite Heart” show so this is my second time seeing them in this venue. It’s a cool place to see them because no matter where you are, even if you have your back to the wall, let’s say you’re in some weird corner, you’ve still got a great view of the stage. That’s something I really respect about the place.

What was it that drew you to the Flaming Lips?

When I was living in Germany, I started listening to their music and thought it was really cool. When I came back to the United States, they had a show in my hometown so I went and was blown away by it. Then they had a New Year’s Eve Freakout that year where Yoko Ono was playing and a bunch of other people, so I just went and I met this group – we call ourselves “the Love Pit.” The guy in green over there? It’s his birthday today. Two friends of ours are coming from Japan to be here. NOBODY KNOWS THEY’RE COMING… So the Lips are great, they do some really cool stuff, and the band’s been super nice to us, they really value having us follow them… but it’s the people we meet, this artistic self-expression that just really ignites something in me. I’m a straight-laced IT guy back home, but then I get to dress up like a giraffe at First Ave and hang out, you know?

Yeah! It’s so great! Flaming Lips day is the best for me because I get to walk in and go “Fuck yeah, there’s a giraffe in the restaurant!” The joy really emanates.

That’s what I love about it! I was walking down the street and people were clapping out their car windows for me. Then I saw a lady wearing a cow hat and I was like, “I like your cow hat!” and she’s like “I like your hat!” and we both start laughing because we both have ridiculous things on, but everybody’s happier because of it. That’s really why I love the band.

You said that you’re a straight-laced IT guy back home… Do they know what you’re up to when you take off for these things?

Oh yeah. I tell everybody. My manager has seen me in the New York Times at festivals and he looks at them and laughs and goes “No, but that’s really cool.” I go to work with my nails painted. It’s a casual workplace and they like seeing people bring joy back. I wear my sparkly boots to work and everybody compliments me. So it’s like this band, doing this… I even get to bring that back to my workplace, and everybody there, even if it’s just a quick smile or a laugh, they’re happier. It’s just that effect, that wave, that ripple.

I’m beaming just listening to all this… How did you pick the giraffe? 

On Instagram Wayne mentioned we’re looking to do a film, a documentary, does anyone know any weirdos we could interview or film? And then later on he said “Oh by the way, we really want people to come in giraffe costumes, or fetuses, or brains.” And I was like, “I don’t really feel comfortable with the fetus thing; somebody who’s pro-life is gonna get mad at me. The brain would just be hard to do because then I’d be taking myself seriously like I’m a smart guy. But the giraffe is cuddly and warm!” So that’s why I went with the giraffe.

You’re so good at this!

Why, thank you! I enjoy it. We have this whole community of weirdos, but weirdos in the sense that we’re artists and we don’t take ourselves too seriously.

What did you do before you found the Flaming Lips? What was your outlet before this?

You’re not going to believe this: I loved the band Ramstein. I still have a place in my heart for them because they’re part of the reason I wanted to learn German. Then I learned German and it went beyond that band. I had all these other experiences, but it was one of the catalysts that said, “Man, I really want to know what they were singing about and be able to speak German.” But then you know the lyrics and you’re like, “Jesus Christ, that’s something I would never actually want to actually say to people” but there’s still a part of me that really likes that. There’s part of me that really likes a band like Radiohead, that they can talk about complex, troubled, depression and make that into an artform, and in sharing that with their fans, we all experience that together. Even when you listen to Ramstein, it’s about these hard, human lyrics with really graphic sexuality and dark themes, or Radiohead with these nuanced, depressed, angsty ideas, you celebrate it with other people, and you can acknowledge there’s a part of my heart where yes, that is true and I identify with, but I’m not alone and this is normal. This is something that’s part of humanity. So that’s why I draw strength from that, which other people would say, “Well that’s just sad!” I say, “Yeah, but that’s being a human!” We all have bad days, we all have our good times too, and let’s just hope we all stick through it ‘til we get to the good times and we don’t take the bad times too seriously.

(Interview: Sarah Brumble)

This Week at the Turf: February 25, 2015

WEDNESDAY: Fury Things/Brilliant Beast Split EP Release Show

Fury Things and Brilliant Beast will be releasing their first ever split EP Wednesday night at the Turf Club. Fury Things are a trio from Minneapolis made up of guitarist/vocalist Kyle Werstein, bassist Devon Bryant, and drummer Andrew Carson. Werstein writes compelling lyrics and shreds fuzzy guitar solos while sharing the melody with Bryant's bass. Carson slams on cymbals higher than his head and has broken too many drumsticks to count. Together they're making fast, loud rock music reminiscent of Superchunk, Dinosaur Jr, and Hüsker Dü. Brilliant Beast is a loud band from Minneapolis. Playing in their current formation since 2011, Brilliant Beast released their third album, Where Do You Want, in November 2013. Led by sibling dual-vocalists Hannah (vocals, guitar, violin) and Jordan Porter (vocals, guitar) and anchored by the breakneck rhythm section of Mark Kartarik (bass) and Eric Whalen (drums). Wednesday night's Split EP release party will reveal the latest accomplishments of both of these home-grown rock bands.

THURSDAY: The Life and Times

Since the experimental space-rock trio The Life and Times formed in Chicago and began disarming audiences with unbelievably loud yet relentlessly beautiful music, the main constant for the band has been how un-categorizable they've remained. Lead singer Allen Epley, drummer Chris Metcalf and bassist Eric Abert were the calling card of Suburban Hymns (DeSoto) and each subsequent release. 2012's No One Loves You Like I Do was a towering think rock follow-up to their critically acclaimed breakthrough Tragic Boogie, pushing and molding the band's kitchen-sink aesthetic and beautifully lush, over-the-top arrangements into a tight, dense collection of songs with much more immediacy, urgency, and directness. The Life and Times band released their latest album, Lost Bees, in August 2014.

Lost Bees is the fourth full length from Missouri's The Life and Times, and represents their most singular and cohesive release so far. The band has been quietly developing their craft since 2002 and have combined the disparate elements that they've utilized over the past 12 years into a new formula. [Hit The Floor]

Sounds like: Shiner, Jawbox, Swervedriver, Year of the Rabbit

FRIDAY: Cheap Girls

Cheap drinks and CHEAP GIRLS will be filling the Turf Club on Friday. This band will be holding a special night for advance ticket-holders, but I'll let them tell you in their own words.

A note from Cheap Girls:

"We're incredibly excited about these shows coming up in your area, and we firmly believe that the artists coming along with us are some of the most important making music right now (RESTORATIONS, CHRIS FARREN, and THE SLOW DEATH). As a reward to those who show up early to see the entire show, we are rewarding the first 20 advance ticket-holders in attendance a free, exclusive hand-screened tour poster as a THANK YOU for supporting the music of our friends and of ourselves. The poster will not be for sale in any other form. On top of all that, anyone with an advance ticket can take 5 bucks off of any purchase made at the Cheap Girls merch table. Thanks for being a part of this with us."

Hurry down to the Turf Club Friday to claim the merch. Doors will open early, so start your weekend off right.

Sounds like: Banner Pilot, The Ergs!, Dillinger Four, Dead To Me

SATURDAY: Nora Jane Struthers & The Party Line

NEW ALBUM WAKE DROPPED TUESDAY 2/24

Saturday will play host to a great night in St. Paul as Nora Jane Struthers & The Party Line take over the Turf Club. The night will feature their new album, Wake. The evocative one-word title speaks volumes about what's happening on Nora Jane Struthers' latest album. For the thirty-year old singer-songwriter, it's "wake" in several senses of the word. There's the trail of a life and career behind her, the slipstream of lessons learned. There's the quiet observance and letting go of who she has been up until now as both an artist and a person. And most of all, there's the stirring of something new, an opening of a door and wide-eyed rush forward into a place of discovery and dizzying possibilities. "The whole album is about strength through vulnerability," she says. "That's what I've come to as an artist, and a human being, and I think it's the most powerful force in my life. I feel so much more like my childhood self now than I did over the past five years, than I have in my whole adult life." We're certainly excited to see what these passionate musicians have in store for us Saturday night as they debut Wake.

Sounds Like: Mumford and Sons, Gillian Welch, The Avett Brothers, Emmylou Harris

SUNDAY: Dewi Sant | The Person & The People | Fair Oaks

"Dewi Sant seems like the kind of guy that gets talked about well." You'd like to think that his goodness and sweetness both precedes and post-cedes him. The deeds of romance and love that he submitted as offerings have been duly noted and they will be played back for him when he gets to the pearly gates, as if to give him an opportunity to take a bow or to receive something like a good guy standing ovation. For The Person & The People, everything traces back to the high school years. A group of old friends from multiple bands in the area finally teamed up and joined together to make music. The result of that is a power-pop flavored rock and roll band that truly stands out from the rest. That youthful energy can certainly still be felt with this band. Lastly, formed in two cities founded on the intrinsic turns and tails of one of Earth's longest waterways, Fair Oaks has made an album that aims to shine a solar-hued spotlight on nature in the urban environment.

Genre: Indie-Folk

TUESDAY: The Lone Bellow (SOLD OUT)

Then Came the Morning, the second album by the Southern-born, Brooklyn-based indie-folk trio the Lone Bellow, opens with a crest of churchly piano, a patter of drums, and a fanfare of voices harmonizing like a sunrise. It's a powerful introduction, enormous and overwhelming, as Zach Williams, Brian Elmquist, and Kanene Pipkin testify mightily to life's great struggles and joys, heralding the morning that dispels the dark night: "Then came the morning! It was bright, like the light that you kept from your smile!" Working with producer Aaron Dessner of the National, the Lone Bellow has created a sound that mixes folk sincerity, gospel fervor, even heavy metal thunder, but the heart of the band is harmony: three voices united in a lone bellow. "The feeling I get singing with Zach and Brian is completely natural and wholly electrifying," says Kanene. "Our voices feel like they were made to sing together."


This Week in the Entry: February 23, 2015

MONDAY: MN Next Star MATTHEW J

Pop artist Matthew J will be making his debut performance at the 7th St Entry on Monday night. Matthew spent his childhood growing up in Rabat, Morocco until he eventually found his way back to Minnesota. This local singer-songwriter and pianist gets his style from influential greats such as The Jackson 5, The Beatles, and Bruno Mars. Supporting the act will be a number of local artists such as: Ced Linus, Sti-Lo Reel, Louie P, The Friendly Beers, J. Plaza, MWTC, Cooly, Beauty White, and Lil One.

 

TUESDAY: SINGLE MOTHERS

Single Mothers has made a compelling case for bullshit. Not bullshit as in the self-serving act of using untruths for personal gain but rather how red flags, stacked odds and strike outs can somehow inspire a collective recklessness to keep at it. For Single Mothers, bullshit came early. Its members were born throughout Ontario in the late 80s and early 90s, all to lower class families and many to single parent households. Some grew up on native reservations while others were raised by maternal grandparents. Some were the byproducts of one night stands. Yet, through all the bullshit this punk rock band will find their way to the 7th St Entry Tuesday night. Supporting will be fellow Canadians The Dirty Nil and Minneapolis natives Animal Lover.

Sounds Like: Green Day, Black Flag, My Chemical Romance

WEDNESDAY: KEVIN DEVINE & THE GODDAMN BAND

Kevin Devine & The Goddamn Band headline the Entry this Wednesday. Devine recently had a simultaneous release for Bulldozer and Bubblegum, his seventh and eighth studio albums. The Brooklyn-based singer/songwriter attempts two drastically different sounds on two separate recordings in a dual-album project independently funded through an historically successful Kickstarter campaign. Bulldozer features the commanding big sound of chiming guitars, tongue-in-cheek wordplay, is a stampede of power pop, as is the quintessential rock/pop sound of "Little Bulldozer." Songs like "She Can See Me" bring out Devine's punk rock roots. Bubblegum other the other hand is Devine's "pedal-to-the-floor" rock album. It is the product of his special collaboration with Jesse Lacey of Brand New as producer, shaping and writing alongside Mike Fadem on drums, and Mike Strandberg on guitar, the two members of his touring group the Goddamn Band. Dads and Field Mouse are support.

Sounds Like: Brand New, Manchester Orchestra

THURSDAY: THE GROWLERS (SOLD OUT)

The music of The Growlers is unmistakable. Sure, you can hone in on some influences baked into the work of this California-bred band. The Growlers took the phrase "Beach Goth" as an apt descriptor of their five-piece band. Sunburned and salty is a term that perfectly describes their distinctive melding of reverb heavy surf guitar and Bakersfield-style honky tonk with '80s post-punk. This is especially true of the band's newest album, Chinese Fountain. The 11 songs found on it are some of the strongest that they've committed to tape yet; a byproduct not only of eight years in the trenches together, but finely honing their gypsy folk dirges and psychedelic sea shanties to fans at close to 150 shows each year. The connection between vocalist Brooks Nielsen and guitarist Matt Taylor (the groups' principal songwriters) has only grown deeper. Supporting The Growlers will be Oklahoma-natives Broncho.

Sounds Like: The Clash, Ricky Nelson

FRIDAY: FRANCISCO THE MAN

It took roughly seven years, a teenage instrumental rock band, a debut EP, additions and subtractions, and a near death experience to arrive at Francisco The Man. Following a two-year hiatus beginning in 2008, the band relocated from Riverside to Los Angeles, CA, bringing along a new addition, guitarist Brock Woolsey. Their debut LP, Loose Ends, was released in late January. The album gives its audience a more encompassing look at Francisco the Man with each song containing more and more honesty permeating through the lyrics. The band is composed of Scotty Cantino on vocals and guitar, Néstor Romero on bass and, Abdeel Ortega on drums. Leading off this great night in the Entry will be local groups Whatfor and Mad Rounds.

Sounds Like: Zach Schimpf, Young Jesus, Broncho

SATURDAY: MOON DUO

This will be the second appearance in Minneapolis for this talented pair. The event was previewed by City Pages earlier this month:

San Francisco's Moon Duo have kept the spacey fuzz and hypnotic grooves that soaked their first two albums, but they have expanded their sonic scope - as well as their lineup - on their third full-length, Shadow of the Sun. Wooden Shjips' guitarist Ripley Johnson and Sana Yamada have added drummer John Jeffrey (who also played on their last release, Live in Ravenna) to their droney mix, and the results are even more gritty and dynamic, echoing the early West Coast punk sound while also retaining the riff-fueled experimentalism of their early work. This Entry show comes at the start of Moon Duo's tour in support of their new record, so expect the band to focus on bringing these fresh songs to life while also working on innovative ways to explore the hazy parameters of their boundless material. Minneapolis noisemakers Vats open.

Be sure not to miss this Saturday night special at the 7th St Entry beginning at 8pm.

Sounds Like: Wooden Shijps, The Black Angels

MONDAY: THE TWILIGHT SAD

The Twilight Sad comprises James Graham (vocals), Andy MacFarlane, (guitar/electronics) and Mark Devine (drums/keyboard). Forming in late 2003, the band played a couple of early shows at Glasgow's 13th Note. They created half hour pieces of music utilizing guitars, bass, drums, theremin, tape loops from films and old folk and country songs, effects pedals, toy keyboards, thumb pianos, computer games and various other ephemera. Subsequently withdrawing to the studio to refine their sound, and rejecting any live shows offered, the band underwent a gradual metamorphosis into a more traditional, but still sonically adventurous outfit, with a more overt inclination towards emotive, eloquent song. In 2014 the band released their latest album, Nobody Wants to Be Here and Nobody Wants to Leave which showcases a sound that embraces and combines all of The Twilight Sad's previous releases. Opening for the night will be the NYC-based Port St. Willow.

Sounds Like: Frightened Rabbit, Idlewild, We Were Promised Jetpacks


Tickets On Sale This Week: February 19, 2015

ON SALE: Friday, February 20 at noon CT

Torchlight Commission ft. Illa J and Moka Only 7th St Entry MON MAR 16
Elvis Perkins Icehouse SUN APR 26
Drive-By Truckers ‘Dirt Underneath’ Tour Mainroom FRI MAY 1
Bobby Bare Jr. Turf Club FRI MAY 1
Gear Daddies Mainroom SUN MAY 10
Jessie J Mainroom MON MAY 11
Geographer 7th St Entry MON MAY 11
Smallpools Triple Rock THU MAY 14
Zoobombs 7th St Entry SAT MAY 16
METZ | FIDLAR 7th St Entry THU MAY 21
FIDLAR | METZ 7th St Entry FRI MAY 22
Little Dragon Mainroom THU MAY 28
Glass Animals Mainroom THU JUNE 4
Matthew Santos 7th St Entry FRI JUNE 5
Kate Tempest 7th St Entry SAT JUNE 13

ON SALE: NOW

Official Dopeness ft. Rich Lee, The Crxsh, & more 7th St Entry TUE MAR 10
Al Church Next Summer CD Release Show Turf Club FRI MAR 13
The Cactus Blossoms (Duo) | Sam Outlaw Turf Club SAT MAR 14
Communion Club Night March
ft. Filligar | The Pass | Brolly
Turf Club TUE MAR 17
Govinda 7th St Entry WED MAR 18
Tommie Sunshine Mainroom FRI MAR 20
Secret Stash presents Black Market Brass,
The Lakers, and Gospel Machine
Turf Club FRI MAR 20
Long Dark Blues - A Tribute To Jason Molina Turf Club WED MAR 25
Kristin Diable Turf Club FRI MAR 27
Mark Mallman with Step Rockets Turf Club FRI APR 10

#FacesOfFirstAve: Ben LaFond

This week Faces of First Ave sat down with the city’s quietest force to be reckoned with, Ben LaFond, to talk about how he became a screen printer, questionable dumb luck, and bugs. 

What’s your middle name?

Cooper. My grandpa named me that – Cooper. My full name is Benjamin Cooper LaFond.

What brings you to First Avenue these days?

Musics. Shooting photos. Eating cheese curds. Lurking on the sidewalk shooting photos. Always good people watching.

What shows were you at most recently?

I was at RONiiA album release in The Entry, Aesop Rock in the Mainroom, and Cryphy in the Record Room… a hat trick all in one week!

Or a turkey!

Turkey’s better… I bowl more than I play hockey, so let’s go for turkey.

Do you remember the first show you attended at First Avenue?

Absolutely. House of Pain with Rage Against the Machine opening for them in ‘93 or ‘94. That was the first concert I ever went to without my parents, went with some junior high friends, jumped around and whatnot. It was super great, had an awesome time. Rage Against the Machine totally stole the show. I think it was right before they went on that first Lollapalooza tour. It was insane as a seventh or eighth grader witnessing that band at that part of their career was incredible and I’d obviously never seen anything like that before.

What’s your day job?

I am a screen printer at Burlesque of North America. It’s part design house, it’s part screen printing shop, it is part party-throwers, it’s part… eat-a-lot-of-snacks. We do concert posters for a lot of local bands, a lot of national bands.

When and how did you hop onboard with Burlesque?

August of 2005 was when I first made contact. I was in school for graphic design at MCTC and had an interest in screen printing but never really explored it, but trying to figure it out was kind of intimidating – there’s a lot of shit that can go wrong with it. I saw that Aaron Horkey was doing screen prints through this place called Burlesque and I knew of Life Sucks Die (the magazine that they used to do), and Aaron and I had gone to high school together at the Arts High School. I thought cool, should go check those guys out, had bought a few things from them on their website and they sent out their first email newsletter ever and was like “I should hit those guys up, see if they need some help” so I shot them an email.

I was in school, had a bunch of free time and I just went to meet them one day and help rack posters. They were working on an Arcade Fire tour series – Arcade Fire in Central Park was the first one that I helped on. Then the next one was actually for their show in 2005 at First Avenue, the ferris wheel poster, and just sort of made myself available as-needed and worked some crazy ass middle of the night shifts and did a bunch of grunt work. I cleaned the screens and watched over Wes’ shoulder and picked up as much as I could. Then it became busy enough that I was able to get hired on full time and I took on the majority of the printing there. I didn’t finish school but I got a great job working in the field.

You took the shortcut.

Yeah.

And photography-wise, do you shoot professionally, or do you mostly come down for… sport?

I mean I’ve been paid for stuff but it’s sort of just fun. Like, I shoot a lot of the Doomtree stuff cause they’re friends and I’m just around, hanging out. But yeah, I’ve never really pursued concert photography professionally. It’s just kind of fun to do on occasion. There’s so many people doing it. I feel in the way. I kind of feel like a hack, because I don’t really know what I’m doing at it.

Which I would like to say is preposterous, at least stylistically.

Stylistically dumb luck.

And street photography?

That’s also dumb luck.

What isn’t dumb luck?

Hm. I’ll get back to you on that.*

Not a single thing?

[deep silence]

In closing: what’s your favorite animal?

Oh god.

What’re your favorite three animals?

Oh god.

What’re your favorite five animals?

I really like hawks.

After all that, you picked one.

[laughs] 

Bugs are awesome in their uniqueness, and the sheer amount of them is mind-boggling to me and makes them incredibly interesting. Hashtag #hellyeahbugs

You’re responsible for that hashtag on Instagram and it’s blown up hasn’t it?

It did, apparently! Other people like bugs too!

You’re making it big on the Internet!

*Several days later, Ben actually did get back to me on the issue of dumb luck in the form of a message that read: “Okay so I just got my film back from the Doomtree Blowout and I would like to retract my dumb luck statement. I can work a camera, I suppose.” Head over to his personal Instagram for a taste of what he’s talking about. 

(Interview: Sarah Brumble)

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