Hey Rosetta! hails from the rocky and cold northeastern province of Newfoundland, Canada. In 2005, frontman Tim Baker arrived home from a road trip with a suitcase full of poems and melodies. Hey Rosetta! was formed soon after with the addition of a string section (cellist Romesh Thavanathan and violinist Kinley Dowling) and rhythm section (bassist Josh Ward, drummer Phil Maloney, and guitarist Adam Hogan). Since then, they've blossomed into a powerful group whose explosive live shows have earned them a devoted following. SECOND SIGHT, Hey Rosetta!'s first album in nearly four years represents the longest musical gestation in the band's history. In part, the delay was due to the lengthy touring cycle following the success of their last album Seeds, which was short-listed for the Polaris Music Prize, and resulted in the band's first JUNO nomination and a performance on the JUNO telecast. Also performing will be Brooklyn-native Kevin Garrett (no, not Kevin Garnett) and local-band Going To The Sun.
Sounds Like: Dan Mangan, Joel Plaskett, Wintersleep, The Rural Alberta Advantage
Veteran rockers Red Desert bring a unique and blended creation to the world of metal, combining heavy, deliberate elements of doom, the down tuned distortional fuzz of stoner rock, a unique and haunting vocal delivery, and, above all, a master craftsman's grasp of song structure with deep, twisted, metal tapestries interwoven around soul stirring melodies of exceptional insight and dispatch. This foursome from Minnesota come at you with abiding passion, an unshakable confidence, and a fierce and joyous delivery. Steeped in the exalted, dark arts of the intense rock of decades past, the brilliance of high desert music, and the heart of an explosive new breed of rockers, Red Desert have previously crafted 2 exceptional albums and will soon drop a third. Prepare for a furious, full throttle ride as Red Desert come at you full force, no holds barred, no excuses, in a full out hard rock onslaught. Fellow locals The Wolf Council and Kult of the Wizard round out the Metal Wednesday bill.
Sounds Like: Black Sabbath, KYUSS, Pentagram, High On Fire, Clutch
"Shred till you're dead, or go to hell." Diarrhea Planet is a six-piece rock and roll band from Nashville, TN. Their sound has often been described as The Ramones holding Van Halen hostage with an arsenal of fireworks and explosives. Diarrhea Planet's four guitarists provide enough riffs to make Jack Black squeal like a schoolgirl, while lead singer Hodan delivers enough hooks to straighten the curl out of Justin Timberlake's hair. In a world of unintelligible lo-fi recording, reverb drenched vocals, and tuneless guitars, Diarrhea Planet aims to put the backbone back into rock and roll. What awaits you when the needle drops on Dereconstructed, the new album by Lee Bains lll & the Glory Fires? Nothing less than pure fucking heaven, that's what. Dereconstructed is a careening, road raging, all night party of a record. Informed by a distinctly southern hoodoo, it is a master class in authentic Gulf Coast choogle. Having cut his teeth in the Dexateens, Lee Bains lll has been properly schooled in how to throw down, so much so that even his hyper literate musings are no match for the blown out distortion that gives this record its blistering urgency.
Sounds Like: Bass Drum of Death, METZ, Ramones, Drive-By Truckers
Upon first listen, it's immediately obvious where BNLX's obsessions and influences lie. From the overdriven feedback fuzz that scores the record, to the epic, post-punk spirit that courses throughout, Jesus and Mary Chain and Echo and the Bunnymen are an easy reference point. But while many modern DIY projects can plug in and produce squalling reverb and angst-y vocals, in most cases the results reek of posturing and shallow imitation. BNLX, dare I say, transcend time. Special guests of Friday night include local talent The Melismatics, The Stress of Her Regard, and Stereo Confession.
Sounds Like: New Order, Sonic Youth, My Bloody Valentine
M.C. Taylor—the craggy-voiced patriarch behind Hiss Golden Messenger, the country-rock ensemble he leads out of Durham, North Carolina. Lateness of Dancers is the fifth full-length album from the band. It's an open, confident, immediate album, and it feels, at times, like a direct response to the darkness of M.C. Taylor's last record, 2013's Haw. Hiss Golden Messenger stretches out into the improv-rock territory of Traffic and the Grateful Dead and beyond. Touring with Hiss Golden Messenger is the talents of Phil Cook. Cook joins an exciting class of modern musicians who are carrying the torch of authentic folk music. Playing from the heart while keeping reverence for this country's history is indelibly present in Cook's tender and patient compositions.
Sounds Like: Wooden Wand, Strand of Oaks, Sturgill Simpson, Megafaun
tiny deaths will be holding court this Sunday in the Clown Lounge, making up dope dance music with their friends at an event titled "Baumhaus." This local group is poised to be the next breakout act from Minneapolis. Sounding simultaneously familiar and yet like nothing else, Grant Cutler (Lookbook, Wolflords) and Claire de Lune (The Chalice) have joined forces to create a fresh take on the dark, brooding electropop movement currently dominating indie rock. The result is a sexy, shimmering collage of color and texture, a refreshing blend of the electronic and the analog, the peripheral and the tangible. In this way, tiny deaths' live show is a dichotomy. It's something you can move to, with bass that pulses through your whole body. But lyrically it's delicate and introspective, and the vocals are so arresting, you could just as easily wind up so awestruck you're motionless.
Fateful encounters at Cleveland bars rarely lead to musical mythology, but SomeKindaWonderful have a different story to tell. A three-piece featuring Jordy Towers (vocals/lyrics), as well as Matt Gibson (guitar) and Ben Schigel (drums), the genre-bending group came together after Towers became a casualty of the major label system. Once signed to Interscope as a solo act, he refused to become yet another faceless persona and the label left him hanging on the vine. Towers knew it was time for a reset and headed to Ohio to re-examine his life. The band's hit song, “Reverse” is endlessly catchy, feeling both modern and classic, nodding to '60s soul and contemporary R&B with the dynamic range of big-room pop-rock and cinematic emotion. Its structure, which features Towers unraveling a backwards narrative with a cadence that merges rap and soul, provides a novel lyrical framework to a unique sound. Opening up Monday night will be Tired Tongues; the result of change based on previous circumstances by electroclash musician, composer, & producer, Taylor Nelson and drummer Adam Szczepaniak, of Minneapolis, MN. The duo of Tired Tongues came together when hard hitting electronic music clashed un-forcefully with hammering guitar riffs and larger than life synths, only to be duetted by the filling sounds of an aggressive drumming style.
Sounds Like: OneRepublic, Imagine Dragons, Kings of Leon
Six Organs of Admittance's Ben Chasny has devised his very own system of musical composition, The Hexadic System, which is the basis for their newest album, entitled Hexadic which was released on Drag City on February 17, 2015. A lyrical mastery of acoustic finger-picking would be enough to build a body of work for most musicians; this is just the stepping-off point for Ben. From the earliest days of private-press psych home recordings, Six Organs of Admittance has sought out alternative spaces in which to make music and challenge audiences to keep up with his rapid advances into new terrain. Over the last two years Ben assembled a comprehensive system of musical composition. The System builds all of the tonal fields, chord changes, scales, and lyrics on Hexadic, creating the framework of the songs that the musicians engage with. Yet the System is open; within the framework, Chasny's own personal aesthetics - such as the production mode of loud guitars, the order of songs, the editing of length, were all conscious decisions made to communicate the pieces. Starting off Tuesday night, Elisa Ambrogio with her lyrical intelligence, guitar g'rilla, and awkward weirdo presence, is back (and forth, too) performing in the 7th St Entry.
Sounds Like: James Blackshaw, Sun City Girls, Comets on Fire, Espers
The Howlin Rain we thought we knew has evolved, on Miller's newest, Mansion Songs, into something strange and true and beautiful, a sound made of cigarette ash and swollen moons, salt air and the eggshell light that comes just before the dawn. The result is an album that pines and yearns, lusts and wails. “Meet Me in the Wheat,” “Big Red Moon” and “Wild Bush” push the album into high gear, up-tempo jammers that form the yang to the mellow yin of the album's deep feel ballads. Tracks like “Restless” and “Lucy Fairchild” ache like raw wounds or sway like lost, half-sunken ships. “New Age” is bright and clear-eyed and full of wary joy. “Coliseum” prowls, red-veined and hungry - claws out and teeth sharp.
Sounds Like: Black Mountain, The Black Crowes, Comets on Fire, Wooden Shjips
On February 3, 2015, the San Francisco based guitar-drum duo Two Gallants released their 5th studio album, We Are Undone, on ATO Records. While singer and guitarist Adam Stephens and drummer Tyson Vogel have stayed true to the two-person format since their acclaimed 2004 debut, The Throes, their sound has evolved considerably over the intervening years. Thematically, the album ranges from songs that attempt to make sense of the dramatically shifting social landscape of their home town, to the illusion of authenticity, impending environmental collapse, and romantic estrangement. Blank Range, will be taking the stage first Wednesday night. They're an American rock & roll band living in Nashville, TN. With nods to great things present & past, Blank Range stand tall as a unit and collapse wildly together in song and onstage.
Sounds Like: Neva Dinova, The Felice Brothers, Langhorn Slim
Sales is a collaboration between long-time friends, Lauren Morgan (guitar/vocals) and Jordan Shih (guitar/programming). The duo has been recording together on and off for years, eating an abundance of Thai food, and dreaming of tennis - but never really going the distance to the court. Instead, they have remained dedicated to their musical project, which has been described as minimalist guitar pop. Sales consists of vocal & instrumental improvisation, sampling, a lil' bit of chopping & screwing, and of course, friendship. Warehouse Eyes and Aubades will perform first Friday night. Warehouse Eyes is a dream/synth pop band formed in 2012 in Minneapolis. The band members are Jennie Lahlum (vocals/synth), Christopher Williams (keys/synth), Jason McGlone (drums), Colin Sheffield (guitar), and Kevin Scott (bass). Aubades is also a local, four-piece band.
Upon first listen, it's immediately obvious where BNLX's obsessions and influences lie. From the overdriven feedback fuzz that scores the record, to the epic, post-punk spirit that courses throughout, Jesus and Mary Chain and Echo and the Bunnymen are an easy reference point. But while many modern DIY projects can plug in and produce squalling reverb and angst-y vocals, in most cases the results reek of posturing and shallow imitation. BNLX, dare I say, transcend time. Saturday will be the second night of BNLXFest III (night #1 is Friday at Turf Club) and will feature three supporting local bands - Two Harbors, Frankie Teardrop, and Pale Spectre.
Big hair, big smiles, and a whole lot of love: International globe-trotter Dustin Thomas is making waves from Australia to Moscow with his infectious blend of beat-box/soul folk. Armed with a voice, a guitar and universal anthems of faith, love, and war; this young artist continues to inspire hearts around the world on his mission of music, joy, and peace.
Catastrophe Cabaret is a new musical comedy variety show, brought to you by Amy Buchanan, founder of the modern Twin Cities burlesque scene, and creative director and producer of Le Cirque Rouge, Cabaret & Burlesque Show. What started as ANOTHER drunken brainstorm of ideas between former collaborators Amy Buchanan and comedy writer, Tim Kennedy, will be the first off-shoot of LCR, who have been performing since 2003. What can only be described as "creative interpretations and improvisations by both professionals, and experienced amateurs," is also backed by a full band - complete with backup singers.
Nick Howard could never be accused of sitting still. Following a 2 year stretch in which the British singer-songwriter has played 300 shows across Europe and the US, enjoyed his first number 1, packed in several headlining tours and even managed to learn German in two months and win the hugely popular TV show The Voice of Germany, Nick Howard recently released his fourth and latest album, Living In Stereo. Nick spent most of 2014 on the road in the US and Europe promoting his new material, playing over 200 shows to over 100,000 fans all over the world. Catch Nick's US Headlining Tour at the Turf Club while you can, he doesn't sit still for long. Opening for Nick will be Elliott Blaufuss, a multi-talented artist hailing from Minneapolis, MN. With an incredible vocal range, mesmerizing melodies, and a style that blends groove and soul, you can be sure to get to the Turf Club early Wednesday to catch Elliot's opening performance.
The Homegrown Music Festival is Duluth's annual showcase of rawk and/or roll devil music. It began as a simple birthday party with a handful of bands and a bunch of beer. Now it's a complete bureaucracy, run by a volunteer steering committee and a board of directors, featuring over 180 musical acts, along with a few filmmakers and other artists. On Friday, The Turf Club will play host to Duluth bands The Social Disaster, Red Mountain, Toby Thomas Churchill, and Wolf Blood.
Throughout his decade-and-a-half-long career, Cory Branan has been too punk for country, too country for punk, too Memphis for Nashville, and probably a little too Cory Branan for anyone's damn good. He has proven himself as a top-notch songwriter, fierce lyricist, and a hyper-dynamic performer with the ability to fingerpick finer than '60s Greenwich Village folkies and brutally strum like a proto punk shredder. “Intense dynamics, deep humor, brave production and heavy songwriting: A new voice emerges to run with the greats." - Playboy. Taking the stage first Saturday will be Tim Easton, an American guitarist and singer-songwriter based in Nashville, Tennessee.
Michael Lewis is regarded throughout the Twin Cities and well beyond as one of the most creative sax players in modern music, lending his blowing and bowing skills to a number of highly regarded ensembles. Growing up in Minneapolis, Michael first picked up trumpet (his dad's instrument) and then settled on saxophone at age ten. He attended South High, where he added bass to his arsenal of saxophones. Lewis has been increasingly visible in New York, performing at the Stone with Happy Apple as well as with Fat Kids; and he appeared on David Letterman in connection with his 2009 tour with Andrew Bird, on which he played electric bass. He continues to lead a double life in music, playing bass with Bird, Dosh, Alpha Consumer and Red Start, and locally on saxophones with Bryan Nichols' quintet as well as with Bon Iver, Gayngs, and Arcade Fire.
Over the course of its two-decade existence, Lightning Bolt has revolutionized underground rock in immeasurable ways. The duo broke the barrier between stage and audience by setting themselves up on the floor in the midst of the crowd. Their momentous live performances and the mania they inspired paved the way for similar tactics used by Dan Deacon and literally hundreds of others. Similarly, the band's recordings have always been chaotic, roaring, blown out documents that sound like they could destroy even the toughest set of speakers. Jet Legs and Hardcore Crayons will start off Monday night. Hardcore Crayons can and will change from eerie dub grooves, with delayed snare, looped, psychedelic guitar riffs, thumping bass, to harsh, bob-your-head-cause-you-just-can't-help-it metal.
Sounds Like: Black Pus, Hella, Melt-Banana, Boredoms, Shellac
Getting his start in music as the frontman of L.A. indie pop/Americana outfit Last December, RG wasted no time finding his own voice as a solo artist, with a debut full-length (2013's New Eyes) and a slew of singles under his belt. However, Pete RG's solo efforts have proven to be an even stronger collaborative effort, working closely with drummer Scotty Kormos and bassist Adam Kury along with Kabler. It's a revelation that's present within each song off of Pete RG's latest effort, Lightning Strikes. Helping further bring the new album to life was multi-instrumentalist/co-producer Brina Kabler, who RG refers to as his, “musical Swiss Army Knife,” and a massive influence, musically. While Kormos won't be able to join RG on the road due to previous commitments, filling in will be Pearl Jam's original drummer Dave Krusen. Regarding what fans can expect from the band in a live setting, RG explains “It's a certainty that every song will be somewhat different every night. The changes aren't planned, they're just felt. Supporting Pete RG on Monday night will be local trio The Listings and former Western Fifth frontman Ryan Holweger.
Jucifer, founded in Georgia in 1993, are pioneers of the sludge / doom metal two piece. They are notorious for their use of massive amplification, and for their entirely nomadic lifestyle. Jucifer has spent all year, every year on the road since moving into their tour vehicle 12 years ago. They typically utilize a wall of speakers approximately 10 feet high and 15 feet wide. The band has performed steadily and released albums through the 90's and 00's on both major and indie labels as well as recently founding their own Nomadic Fortress label which is distributed by Relapse. Opener Witchden formed in July of 2010 after singer Jason Micah, and drummer Jeff Moen got in contact about a possible project. Micah brought guitarist Adam Alexander Rivkin into the group and Moen asked bassist Andrew Green join. Then, the foursome wrote their first song during their initial jam session and never looked back. Along with Tiger Blue was formed in Duluth, MN in the spring of 2005. After a number of line up changes and relocating to Minneapolis, MN, a Tiger Blue EP was finally completed and released in March of 2012. Combining elements of thrash, punk, pop, and rock (punk meets thrash meets Zeppelin.)
His Name is Alive returns to the stage after spending years in the studio writing and recording the rock opera, Tecuciztecatl. "The new unit is a prog bubble gum machine," and they've added a mellotron to the mix. For fans of horror movie soundtracks, psychedelics, fuzz guitar and mellotron, this is a great band to check out. Over the years, their concerts have featured puppet shows, a man in a whale suit and, occasionally, a giant robot. Also on the bill for Wednesday night is Duluth-natives The Murder of Crows, a duo consisting of guitarist/vocalist Alan Sparhawk (Low, Retribution Gospel Choir, The Black Eyed Snakes) and violinist/vocalist Gaelynn Lea (Snöbarn). These two produce an atmospheric, alternative sound that will make for a great opening performance.
Sounds like: This Mortal Coil, Throwing Muses, Cocteau Twins, Low
Kodak to Graph is Los Angeles-based Iranian-American producer Mikey Maleki, who is known for his own brand of off-kilter, hip-hop-infused electronic music. His lush, experimental arrangements often incorporate samples of found sounds. Maleki's earliest memories of music came via his parents: his father, who exposed him to to traditional Persian folk music as well as psychedelic and pop, and his mother, who schooled him in the American singer-songwriter canon. Maleki discovered electronic music in high school, cutting his teeth on producers like DJ Shadow, Caribou, Four Tet, Bibio and Quantic. In 2012 he moved to Gainesville where he started producing music in earnest, releasing a string of singles on the Italian label, Bad Panda Records. Other highlights of Maleki's nascent career include remix work for Doja Cat, Hundred Waters and Salt Cathedral, and tours with Odesza, Gold Panda, Hundred Waters, and Slow Magic. His debut full-length album, ISA, is out now as a free digital download and his headlining Break The Ice Tour features Big Wild and Obeson as support, with local act Vacation Dad opening Thursday's Entry show.
Friday will feature a plethora of local hip/hop artists and DJs who know how to kick off the weekend right. Haphduzn (aka Jordan Wallingford) has a very similar sound to the local great, Atmosphere. MaLLy (aka Malik Watkins) has performed at Soundset not once, but twice; once as a performer, and the other time as a co-host alongside Brother Ali. He's also opened for Atmosphere at the famed Red Rocks Amphitheater in Colorado. Rounding out the headliners is DJ Last Word. The Get Cryphy crewmember may not exactly be a household name yet, but he's earned respect for his work producing and live mixing for local rappers like Dialogue Elevators, Ernie Rhodes, and more. He's been spinning since 2000, getting his start at former Dinkytown sandwich shop/music venue Bon Appetit. Special guests of the night include locals Mac Irv and DJ Plain Ole Bill.
Sounds Like: Atmosphere, Brother Ali, St. Paul Slim
Because there will always be miserable teenagers and because nihilism and disaffection are just as much a part of the human condition as falling in love, there will always be a place—and a market—for explorations of abject darkness set to music. The Soft Moon is a San Francisco based neo-post-punk band composed of Luis Vasquez (singer/songwriter/guitar/synthesizers), Justin Anastasi (bass), Damon Way (synthesizers), and Ron Robinson (visuals). Keven Tecon joined the band as a drummer in early 2012. Since 2010, Luis Vasquez has twisted his personal demons into songs, quietly breathing new life into gothy post-punk. On his new album, Deeper, he pushes his foreboding synth-pop even further. Special guests for Saturday's show include Noveller, a solo electric guitar project of Brooklyn-based composer and filmmaker Sarah Lipstate, the husband-and-wife duo, Oaks and DJ Jim Frick.
Sounds Like: Chrome, Suicide, Danse Society, Blank Dogs, Tropic of Cancer
Acclaimed singer and songwriter Sean Rowe's riveting new album Madman is now in stores. On his new record, Rowe has created a beautifully primal work. The record is deliberately, if not defiantly, simple in both arrangement and composition. It is soul music in the purest and most literal sense. The early reviews have been uniformly positive. “It stirs something primal inside you,” writes CMT Edge. Rowe spent much of the previous year traveling the country with his guitar, performing in people's living rooms for a series of house concerts. In this deliberate contradiction to the prevailing expectations of a professional musician, Rowe chose to interact with fans in the most intensely personal manner. Opening for Rowe will be singer/songwriter Matthew Fowler. "At 19 years old, Fowler shows the same mastery of earnest, strummy songcraft as established artists like Damien Rice and Ben Howard." - American Songwriter Magazine
Sounds Like: Joe Henry, Hiss Golden Messenger, The Lone Bellow
Kitty, Daisy, & Lewis is self-described as a mix up of dirty R'n'B, blues, whiskey soaked country, haunting Hawaiian jungle drums and Gospel fever, with a punch in the face by Daisy's hard beatboxing. At their packed live shows there's no compromise when Kitty's howling harmonica solos backed by Daisy's solid rhythm on a battered snare-drum and Lewis's snapping guitar work drive crowds into a Southern Evangelical frenzy. The trio jump from one instrument to another, which range from piano, lap steel, banjos, ukulele, accordion, xylophone, and trombone to name but a few. Joining them on stage are former Raincoats drummer Ingrid Weiss on upright bass, Daddy Grazz on acoustic guitar, and legendary Jamaican trumpet player Eddie “Tan Tan” Thornton.
Opening up the night will be Berlin-based British artist Gemma Ray. Gemma Ray has been calmly earning a cool reputation on the international independent scene since 2008. And with a self-produced album titled Milk For Your Motors – which features collaborations with Alan Vega (Suicide), Deutsches Filmorchester Babelsberg, Howe Gelb (Giant Sand), and Toby Dammit (Iggy Pop/Swans) – under her belt (released August 26, 2014), the music keeps on coming. A self-styled musician/songwriter/producer, she skirts somewhere between pop-noir, sideways blues, gothic folk, ‘60s girl-group, and cinematic soundscapes.
Sounds like: The Carter Family, Imelda May, Sallie Ford, Holly Golightly
If the opening notes on Joe Pug's new LP Windfall are a bit disorienting, his fans won't likely be surprised. The Austin, TX singer songwriter has made a habit of defying expectations so the piano-driven “Bright Beginnings” and the atmospheric rumination of “Great Hosannas” are just further indication that he's quite comfortable stepping outside of the guy-with-a-guitar trappings of the genre. His rise has been as improbable as it has been impressive. After dropping out of college and taking on work as a carpenter in Chicago, he got his musical start by providing CDs for his fans to pass along to their friends. This led to a string of sold out shows and a record deal with Nashville indie Lightning Rod Records. When Pug set up camp in Lexington KY in 2014 to record Windfall, he did so with some of the best songs he has ever written. The agenda was much simpler than previous albums. “The aim on this one was very straightforward. We wanted to capture the music just the way we play it, with minimal production. It was a very back to basics approach because ultimately that's what I love about music, and that's what I love about making music."
Sounds like: Langhorne Slim, Joe Purdy, The Felice Brothers, Middle Brother
There is a line between insanity and genius that Minneapolis musician Mark Mallman has built a career on. His solid songwriting, combined with a wild stage persona, has earned him opening spots on stages with artists as diverse as Green Day, Cat Power and Guided By Voices to name just a few. Mallman's expansive catalog of infinitely catchy, masterfully orchestrated boot-stomping pop songs has rocked the airwaves of MTV, VH1, NPR, and dozens of major motion picture trailers and video games. Mallman has also been written about in Rolling Stone, Pitchfork, Time Out New York, the L.A. Weekly, Chicago Sun-Times, Denver Post and so on.
Special guests for the night will include Step Rockets, Beasthead, and John Swardson. Step Rockets burst onto the international music scene with their single Kisser, a self-released indie pop anthem that shot to #1 on the Hype Machine charts just weeks after its release. The track was featured on countless Best-of-2013 lists and set the stage for what has become one of the most exciting acts of the past year. Beasthead is a four-piece electronic indie rock band from Minneapolis, MN. In the spring of 2013, the band came together in an effort to create a sound that could speak to the unusually eclectic common ground they found in their shared artistic interests. Drawing from their past musical experiences and current influences, Beasthead's music is as unique and diverse as the flourishing creative community found in Minneapolis. And finally, the guy and his guitar (and sometimes his backing band) has been done to death, but every so often something new comes along and demands that people take notice.
The music of Jackson and the Roosters can be described in one word; infectious. The Americana group has been playing live shows live for two years now and just released their self titled, debut album, Jackson and the Roosters in February of 2015. The critically acclaimed band's popularity continues to spread, along with the demand for an increased number of live shows. The Minneapolis-based Jackson and the Roosters' debut album is diverse, intriguing and above all, captivating. From start to finish, Jackson and the Roosters has everything a true music fan desires. Mixed with everything from Bluegrass, to Folk, to Rock n' Roll, to Reggae, their album provides a refreshing, distinctive sound. Frontman Jackson Chalgren's songwriting provides the backbone of what makes the highly talented group so intriguing. The group's catchy music will be stuck in your head for days and having you singing along at the top of your lungs. Their songs are so relatable that you will feel comfort in the fact that you know that you're not alone in this world.
Opening the night up will be Edie & the Blaze Kings and The Summer Coats. Creating a blend of rock, indie folk and soul, Edie Rae brings personality, power and passion to her music. Singer/songwriter Edie Rae pens songs garnered from the fabric of every day life. “I write about what I know - experiences and the things I'm going through at the time. I've come to a place with my music where the creation of songs and finding a voice for my crazy ruminations is a really incredibly fascinating journey.“ The Summer Coats are a singing, strumming, tap-dancing whirlwind of sound characterized by the juxtaposition of differing style influences from its two core members, Chase Daniel Burkhart (Singer/Guitarist) and Molly Kay Stoltz (Singer/Tap Dancer). An afterparty will feature guest DJs The Bunga Bunga Boys, the vinyl-spinning, dance-inducing, party-pumping, soul-stirring, triumvirate of DJ C@H@, The Commodore, and DJ Flavius Falconius.
Sunday in the Clown Lounge Hugh Bob & The Hustle will take the stage. Singer-songwriter Hugh Robert Masterson grew up in Butternut, Wisconsin - a quaint but fading small town with decrepit mills, dirt roads, farms, beat down bars, and a population of 300. “It's the kind of place where the silence is deafening and the stars are so bright you can feel nothing but humbled,” says Masterson. His band Hugh Bob and The Hustle and their masterful self-titled debut album brings to life this slice of classic Americana with ruggedly poetic lyrics and sweetly winsome roots rock. Masterson's blend of hard luck stories and backwoods whimsy with crisp twang, high lonesome harmonies, and heartland rock n' roll is an aesthetic called “North Country”. It's similar in spirit to country in its earnestness and its ties to American folk traditions, but details the plight of folks up North. Masterson has garnered favorable comparisons to Tom Petty, Bob Dylan, Bruce Springsteen, John Prine, Alan Jackson, and Dwight Yoakam.
Irreal, the fifth long player from Chicago's Disappears, is another trip down the rabbit hole. This time the album plays out as a dream sequence - hazed dub landscapes give way to the bands most experimental and open music yet. If their last album, Era, confirmed the fact that Disappears are on their own trip then Irreal is where it kicks in. Eternalism, roboethics, identity - it's a Ballardian mix of imperfect melodies, half thoughts and good ol' dystopian modernity. Produced by John Congleton at famed Chicago recording institution Electrical Audio, Irreal sits in the negative space where art rock and post punk collapse onto each other. It's the sound of Disappears reporting back from The Void.
The Chambermaids will take the stage first Monday night. Siblings Neil and Martha Weir formed the band (under the name the Shut-Ins) in 2003 in Minneapolis with a drum machine. They cut ﬁve demos and began playing shows in the Twin Cities. While the band's line-up has expanded and changed in the years since, Neil and Martha have been the constant that keeps The Chambermaids going.
Sounds like: Echo Lake, Young Prisms, Viet Cong, No Joy
Catastrophe Cabaret is a new musical comedy variety show, brought to you by Amy Buchanan, founder of the modern Twin Cities burlesque scene, and creative director and producer of Le Cirque Rouge, Cabaret & Burlesque Show. What started as ANOTHER drunken brainstorm of ideas between former collaborators Amy Buchanan and comedy writer Tim Kennedy, will be the first off-shoot of LCR, who have been performing since 2003. What can only be described as "creative interpretations and improvisations by both professionals, and experienced amateurs," is also backed by a full band - complete with backup singers. Whereas LCR stuck with jazz and swing styles, Catastrophe Cabaret ventures off into the stratosphere stylistically, and will be drawing on some unexpected special guests, flexing their creative muscle!