Ahead of niiice.'s performance with 26 BATS!, Infinite Me, and Keep for Cheap in the 7th St Entry on August 14, we got to ask Sage Livergood, Roddie Gadeberg, and Abe Anderson a few questions. Read what they had to say below:
Joely Kelzer: You have collabed with the loveable Gully Boys, what is another niiice. collab you would love to happen? niiice.: Stars Hollow, from Iowa, is one of our favorite bands, and we got a big ol tour with them this fall that I’m really stoked about.
JK: Who are your biggest influences as far as your style of music? niiice.: I’d say bands like Tommy Boys, Prince Daddy & the Hyena, and Nirvana especially. I’ve seen Prince Daddy at the Entry and it was D O P E.
JK: What famous song do you wish you had written? niiice.: Ricky by Denzel Curry. 100% sick.
JK: Is there a niiice story on how the band met? niiice.: me (Roddie) and Sage are both from different cities in Montana, and never really knew each other but we happened to go to the same college, and Abe is from Cannon Falls. We all moved to the cities in the same year and met pretty soon after we moved here. Love those guys, they my dawgs for real
JK: What would you describe your vibe in 5 words or less? niiice.: Goofy, but also dumb.
Job description: MARKETING ASSOCIATE - FIRST AVENUE
First Avenue & 7th St Entry, Turf Club, Fine Line, The Fitzgerald Theater, and Palace Theatre
Minneapolis, MN & St. Paul, MN
First Avenue, the Twin Cities’ premier entertainment venue and music promoter, is seeking a dynamic and self-motivated individual to help with the marketing and promotion of live music venues and events. Candidates best suited for this position will have previous experience in the live music and event space, understand traditional and digital media placements, and have managed social media presence for brands. This position reports directly to the Marketing Director.
This is a full-time, exempt position. Hours are typically Monday to Friday from 10AM to 6:30PM but will vary based on show schedule and management team needs. Availability on nights and weekends is required, but not expected to be regular.
ESSENTIAL DUTIES AND RESPONSIBILITIES
Manage the creation and delivery of marketing campaigns in print, digital, radio, street teams, social media engagement, and more
Oversee show announcements to the general public via venue social media, website, and newsletters
Implement digital marketing including paid media via Facebook, Instagram, and Google
Track and report concert marketing expenses; help manage to-budget on all shows
Quantify success and efficiency of marketing and promotions, media campaigns, social engagement, partnerships, current and future promotional outlets
Manage the research and analysis for best strategies as related to upcoming concerts and events. Research and discover new sites and platforms to promote artists and venues.
Maintain and foster relationships with key local partners
Help manage physical promotional elements including posters, flyers, calendars, etc.
Research new physical and digital outlets and partners to promote concerts and events
Coordinate with various departments (booking, finance, box office, production, events)
Assist with building show and event web pages as needed
Proof marketing materials before public distribution, including newsletters, press releases, social media posts, print advertisements, and various additional items.
Miscellaneous administrative tasks including fielding calls, filing, record keeping, and reporting
4-year degree or comparable relevant experience
Minimum of three years of experience in an applicable position (live music, entertainment, event marketing)
Experience with newsletter management systems (MailChimp, Emma, Constant Contact)
Experience creating and managing digital and social campaigns with Facebook and Instagram, Twitter, and other various digital/social outlets
Experiential marketing experience a plus (street team, non-traditional marketing)
Excellent communication skills required. Strong verbal and written communication skills are essential, as well as diligent attention to detail. Candidate will be collaborating with, presenting campaigns to, and contextualizing results for a broad audience daily
Must be proficient using Excel, PowerPoint or Keynote, and be comfortable with collaboration and asset management tools including Google Drive, Dropbox
Be prepared to proofread
Entry level graphic design experience with Adobe Creative Suite a plus
Must thrive in a team environment, but be able to take initiative and work independently
Candidate must have strong knowledge of various music applications and excellent knowledge of relevant blogs/apps/publications
Must be highly organized, detailed-oriented, and excited to work in an all-hands-on-deck team environment
We value motivated, creative, innovative folks
Must have a passion for music, and diversity in musical taste, the arts, and entertainment
Pay commensurate to experience
Health, Dental, and 401K benefits after 90 days
Health savings & flex savings medical accounts available through company benefits
Ten (10) vacation days + sick/safe time days + birthday is a paid holiday
Paid holidays as identified by First Avenue
Fun work environment at a local, independently owned business
Downtown Minneapolis office on bus lines, blocks from the light rail
Access to live music and events
ABOUT THIS COMPANY
As one of the longest standing independently owned and operated music venues in the world, First Avenue’s roots are deep and far-reaching. From the avant-garde to the mainstream, First Avenue is committed to fostering local artists as well as bringing national music and entertainment excellence to Minneapolis. The Star Tribune nicely summed it up, "It’s a bar, a rock venue, a dance hall, a downtown landmark, and a music scene’s epicenter."
Ahead of Static Panic’s performance at First Avenue’s Best New Bands of 2018 in the First Avenue Mainroom on Friday, January 4, we got to ask Ro, Eli, and Keston a few questions. Read what they had to say below:
Sophie Stephens: Your EP Chrome gives an honest look into self-discovery and sexuality. Would you say that this theme is influenced by the political atmosphere of today? Ro: It’s certainly hard to ignore, the current political climate. However, I think that a lot of my inspiration at the moment comes from an introspective place, as I learn and grow, make mistakes, get messy… it’s all in good fun. Eli: No, music is a means by which we study and express ourselves as honestly as possible. Our expression of sexuality and self-discovery is simply an honest look at our collective experience. While the current political atmosphere hasn’t prompted this theme, it has made it more relevant. Keston: We are influenced by our lives. The challenges we face in this world as individuals. We don’t try to strike controversy, we just try to be our true selves. it just so happens that what we embody and what we find to true ourselves, and the communities which we associate ourselves with, are tangled in political strife.
Sophie Stephens: How do you know when a song is finished? Ro: Never feels like it is, honestly. You chisel away at each song like it’s your Magnum Opus, and you pray that it lands the way it looks in your head; on stage and at home. It’s a good feeling to be excited about our own body of work, and share my emotions with people willing to listen, with a strong backbeat. When I feel I can accomplish that in a four-minute song, it’s done. Eli: My natural inclination is to keep adding more to a song and fill as much space as possible. Recently, we’ve been taking a slightly more minimalistic approach and focusing on the use of empty space. Our songs are never truly finished. They’re constantly changing and evolving as we continue to play them. Keston: If I feel like I’ve said what I needed to say, I’ll stop trying to add and focus more on what I need to “fill” when it comes to instrumentals. However, the life of these songs goes as long as we play them. They will forever be in a flux and change as long as we keep them in the live shows.
Sophie Stephens: In the past, you have played in the 7th St Entry and the Fine Line. How is the group feeling about hitting the Mainroom stage? Ro: It’s a powerful feeling. There’s so much energy and history to that room, and the folx at First Ave really know how to put on a show. It’s such a dream, seeing artists you feel connected to, there…being able to say you’ve experienced that stage on both sides of the guardrail is a lifetime achievement. Eli: We’re beyond excited to be playing the Mainroom. After years of watching our favorite musicians perform there, following in their footsteps is surreal. Keston: We’ve played 7th street entry countless times, as a group and as individuals. Mainstage is lit. we gon’ f*** it up.
Sophie Stephens: What do you admire most about the other bands that will be a part of the Best of New Bands showcase? Ro: I’ve realized recently that each and every one of the bands in the showcase are bands that I heard about from either similar bills, or from friends as local acts to check out. It’s so cool and inspiring to see other groups making moves at a similar pace and trajectory, knowing how much work goes into it, respect for sticking with it. Keep up the hard work, y’all, we got this. Eli: I admire their dedication. All of these bands have put in really hard work over the last year to get here. Keston: These bands are the real deal. They well represent a level playing field for the future of music.
Ahead of The Carnegies’ performance at First Avenue’s Best New Bands of 2018 in the First Avenue Mainroom on Friday, January 4, we got to ask them a few questions. Read what they had to say below:
Emily Csuy: This past summer, The Carnegies played at Electric Fetus for the record store’s 50th anniversary. What is one of the most exciting music discoveries you’ve made at a record store? The Carnegies: One of the most amazing discoveries we’ve made at a record store is realizing how much money we’ve spent and how broke we are. But a find that our manager/friend Jacob found for us at the Fetus was a hard-to-find CD of Keith Richards’s Honeymoon Tapes…there’s no question if you’re buying it when you find something like that. Plus playing the Electric Fetus 50th Anniversary in-store performance was a blast and honor!
EC: What is one of your favorite local places to play and why? TC: Our favorite local venues would have to be two places, one being the 331 Club. It’s really happening there. The energy from the audience is what we drive off of and there’s always that energy there. The people who run it are awesome which makes all the difference. 7th St Entry is our favorite as well, all the reasons of having great people and the best sound guys there. All the same reasons as the 331. We’re honored to play there every time.
EC: What was one of the most memorable shows you attended in 2018? TC: One of the most memorable shows we attended in 2018 would be Peter Asher of Peter & Gordon and Jeremy Clyde of Chad & Jeremy together at the Dakota Jazz Club. Their stories were just as great as their music. We got to witness Peter Asher mess up a guitar solo and everyone applauded as he said “f$@:$& hell” and owned it. We got to meet them after too.
EC: Did you learn anything new during the creation of your upcoming music video for “In the Night”? TC: If we learned anything new during the making of the “In the Night” video, it’s that some of the best things happen when you improvise with your ideas—that applying to both the directors and the subjects. We all went with the next thing that came into someone’s head. Dan and Henry, our directors, were great and they helped feed the energy and gave us suggestions. It was amazing working with them.
EC: Is there anyone you hope to collaborate with in the future? TC: If there’s anyone we’d love to collaborate with in the future it would be Curtiss A. We already kind of got the chance to do that for the John Lennon Tribute show. We joined him on stage for a song. We’ve attended the John Lennon Tribute at First Ave for about 5 years now and we’re always blown away.